**

Legend – sp

Most Americans have probably never heard of the Kray Brothers, Reggie and Ron. They were legendary gangsters active in the 1940s who were well known in England as were gangsters, John Dillinger, Al Capone, Lucky Luciano, Bonnie and Clyde in the U.S. and immortalized by books and movies. After studying the Kray twin brothers and their criminal exploits, American writer/director, Brian Helgeland decided to undertake this film project. He brought to the table considerable experience among which included L.A. Confidential for which he won the Oscar for the best-adapted screen play and 42, The Story of Jackie Robinson on which he was also the writer/director.

Helgeland connected with British actor Tom Hardy and they decided that Hardy would play both identical twin brothers although their appearance, demeanor and personalities were quite different. Hardy had previously received a great deal of acclaim for his work on both sides of the pond. However this role had to be a challenge for the director and the actor, which would require the use of body doubles, skillful editing and all sorts of special techniques. The result was quite realistic. Both guys were tough as nails and each with a distinct personality. Ron was openly “homosexual” and it was clearly stated that he takes the active role not only at sex but in violence. He also is depicted as somewhat mentally unbalanced. Reggie, perhaps the better looking brother, but just as tough, also falls in love with Francis (Emily Browning). She is a slightly built but very attractive, sweet, not at all like a gangster moll but hopelessly wanting Reggie to go straight. It is her voice that narrates the film a la Sunset Boulevard. While we could develop empathy for her, the tragic heroine, we felt very little feelings for the gangster brothers.

So not caring about the main characters and not very good enough reasons to sit through a lot of violence, we had one more additional problem with the film. This British movie was made for the Brits and we could not understand at least third of the heavily accented British or Cockney speech. We knew what was going on but it was almost like we had to use our weak high school training in a foreign language to get the gist of much of the dialogue. So the only possible reason for us to recommend that you see this film if you don’t speak this language, would be to see the amazing accomplishment of Tom Hardy taking on these two infamous British criminals. However, our conclusion is that you should pass on it. (2015)

****

Elaine Stritch: Shoot Me– If you love Elaine Stritch, dramatic actress, singer, musical comedy star and Broadway legend you will want to see this documentary. If you want to meet a remarkable 87 year old star who speaks her mind and is not afraid to tell you she that still needs the love of her audiences, you will want to see this documentary. While one might think that the filmmaker Chiemi Karasawa had always been an avid fan of the subject of this film, you will be surprised to learn that this was not the case. In fact, her interest was stimulated by their mutual hairdresser, who suggested that Stritch would be the ideal subject for a documentary. Karasawa then unearthed everything she could about this woman and ultimately convinced Ms. Stritch to let her do the film. Stritch, who never does anything half way granted the filmmaker full access to her life and embraced the project with the intensity and humor, which is so much a part of her character. The film is not a retrospective review of this amazing person, although it certainly gives you ample glimpses of her star-studded career. But rather it is the story of an elderly woman facing the challenges of life with concerns about her health and memory who nevertheless is still up for another show, another concert, another rehearsal, another review, all with energy and, yes, with great vitality. And this woman can still sing! It is exciting to see her rehearse with her music director as she prepares for her latest cabaret performance at the famed Café Carlyle as she lives in her suite at that same hotel. You can almost hear Frank Sinatra singing New York New York as she hustles down a Manhattan street. All of this is quite real as is her hospitalization at Mount Sinai Hospital for hypoglycemia related to her diabetes. The camera doesn’t miss a beat nor does Ms. Stritch. Two unforgettable moments are the look on a young Stephen Sondheim’s face as a young Elaine Stritch nails one of his songs and another moment when an older Stritch marvels how Sondheim’s words so often captured her own feelings. We come away from this film with a picture of the legend, who once turned down JFK’ s offer to join her at her apartment one evening. A woman who could never find a love to replace her 10 year marriage to John Bay actor and playwright who died in 1982 of a brain tumor and every year still send English Muffins from her husband’s family muffin business to hundreds of her friends. A woman who has been nominated for multiple Tony’s, Emmys and what have you and a woman who is now sure to be unforgettable to new and old fans thanks to this film.  (2014)