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Zero Dark Thirty

The last time Director Katherine Bigelow and Screenwriter Mark Boal collaborated they made the Hurt Locker which was one of the finest war  films we have ever seen. Since the subject matter this time was the story of the tracking down and killing of Osama ben Laden, it seemed like a natural for them to duplicate their great work.  They ended up doing a very good  job but in our opinion it wasn’t a “repeat”. They initially tug on our emotions by starting the film with frantic phone calls coming from the doomed World Trade Center on 9/11. We then are exposed to the United States  waterboarding suspects who might lead us to Osama ben Laden. This element while uncomfortable to watch, may not be telling the complete story in regard to how key this was to what was to come. The film centers around Maya (Jessica Chastain) a CIA agent who doggedly persists when all the other CIA honchos have their doubts including Leon Panetta CIA director (James Gandelfini)  We are told in the credits that she is a real person who can’t be identified since she is still an active agent. It is too bad that we couldn’t know anything substantial about her other than to watch her determination  despite no one believing her. Nevertheless Ms Chastain carries the film with her riveting portrayal of this American heroine. There also was a great deal of mumbo jumbo on the radio, agents talking back and forth, numerous Arab names mentioned as suspects or people who might have known people. You were never really given enough information to appreciate who they were and what role they played. We also never really get to know the numerous CIA agents, Bureau Chiefs, operatives or whatever. Even the Navy Seal team stays a team and they all blend together in their military fatigues and being viewed through night vision goggles. We will admit that the 2 hours and 40 minutes did go by quite quickly and it was exciting to watch the attack on the compound. It was quite authentic and you felt and thought you were there.  If the real Maya ever writes a memoir, we will be sure to read it and get to know what she was really like and how she brought about the slaying of this dragon. (2012)

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The Invisible War- sp   Usually by the time we see a documentary film on a particular subject , we already have a pretty good idea of the nature of the issue being covered and the film provides some interesting documentation. In the case of this film, most of the audience had no idea of the great travesty of justice that has been taking place where there are violent sexual assaults against women serving in our military services by fellow soldiers, the vast majority of whom are not punished. Female soldiers in combat zones are more likely to be raped by fellow soldiers than killed by the enemy. In 2010 there were 19,000 sex crimes committed in the military. Because of the much larger number of men in the military many of these were directed towards men but percentage wise the women have suffered the brunt of this terrible injustice In fact, 20 % of women serving in the military will experience some kind of a sexual assault .

This movie is not just about statistics. Rather it is a very painful series of personal stories told mostly by dedicated women who entered various services, intent on being the best they could be in the service of their country. Not only were they assaulted and raped by fellow soldiers, even more outrageous, if that is possible, when they complained to their superiors in the overwhelming number of cases they were brushed off and not taken seriously. Heading up the team that put this film together are Kirby Dick ( nominated for an Oscar for Twist of Faith )  who directed it and Amy Ziering who was one of the producers and sensitively did most of  the interviews with the several women and two men who were featured in this movie. Each personal story almost seems worse than the one before it. The traumatic impact of these assaults and in some cases the violence of them crushes these victims physically and emotionally. They go through stages where it seems there is no way out for them and therefore it is not surprising that some of them contemplate suicide. The attempts by the military to raise consciousness of the troops to this problem are almost laughable as well as deeply insulting to women. For example one such campaign exhorts soldiers to “ wait until she is sober before you ask her”

A well thought out coalition of victims attempted to sue the government but their suit failed to gain traction as the first response of a federal court in West Virginia is to turn it down and state that this is an ”occupational hazard.”

The movie offers a glimmer of hope as one week prior to the opening of this movie, it was seen by the Secretary of Defense Leon Panetta, who takes the gigantic step forward by ruling that these assault complaints will no longer handled by the unit commander but rather will go up the ladder to higher ranking officer, presumably with less prejudice. Most probably there will not be justice until these complaints can be fairly dealt with by civilian police and courts. The film does something that many investigative documentaries don’t do well, in that it clearly provides a website (http://invisiblewarmovie.com/) and an opportunity to get involved in this cause by signing petitions and doing other things. This is the power of a documentary film and there is no better cause than the one put up the screen by this movie.(2012)