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The Lady In The Van-rm

Dame Maggie Smith, who is one of the most distinguished and famous actresses in the United States and England, plays a woman close to her actual age but quite the opposite of how she would ever be seen in-person. In this film she is Ms. Shepherd, a homeless, raggedy old woman with a hidden past that is slowly revealed. We meet her as she lives in a van in a community which could be in a suburb of London. Although she is a blight to the neighborhood, she becomes well-known to the local people. She wrangles permission to keep her van in the driveway of a playwright, Alan Bennett (Alex Jennings). The real Alan Bennett is an actual playwright and wrote the screenplay for this movie. This film directed by Nicholas Hytner uses an interesting mechanism to examine the character of Bennett. He is shown as two personas, the one who sits and writes at his typewriter gathering ideas from his life and the other, a person who actually lives the life to get the ideas for his writing self. Mr. Jennings plays both parts of him and they frequently are shown on the screen together talking, “to each other.” There is also a small role for James Corden, TV host of the Late Late show who blends in with local Brits.

Maggie Smith of course is outstanding as the cranky old woman with a past. Mr. Bennett’s deep-seeded motivation seems to be related to his own relationship with his mother (Deborah Findlay) who we get to meet in the movie and observe as they are interacting.

This is a somewhat touching story with great acting, especially by Ms. Smith who gained a Golden Globe nomination for it. We are told at the start of the movie that it is based on a “mostly true story.” We found it interesting that in the award category, this movie was considered to be a comedy. There were some funny lines but it was the poignancy that carried the film in our opinion. However, we didn’t feel it moved quite fast enough for our taste and left something to be desired for the viewer. (2015)

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The Quartet-nf The setting is a home for retired musicians in Great Britain which apparently does exist in some form there. Many of the retirees are well known opera singers as well as other types of musicians. Three of the main protagonists played by Billy Connolly, Tom Courtenay, and Pauline Collins are joined by the fourth (Maggie Smith) who makes a grand entrance befitting the diva that she must have been. It turns out that many years ago she had been married to one of the men (Courtenay’s character),for nine hours, but he has never gotten over their romance and being jilted. He thus is quite unhappy about her arrival. Life in the home seems meaningful to the residents who interact with each other, reminisce about times gone by and sometimes play their instruments and also do some singing. Director Dustin Hoffman in an extra clip on Netflix declares that this is a film about life and (older people) enjoying it and living to their fullest. There was no dialog in the film which indicated that any of these residents had meaningful relationships with their families (although some small children were seen visiting and even being given music lessons). It may be that many very successful professional musicians have traveled a great deal and never have time to develop such connections and that such a retirement home serves this very special purpose. It is also of note that aside from the 4 main stars many of the other musicians seen doing small bits of performing from opera to comedy were actual retired professional musicians. This was demonstrated also in the closing credits where they were identified with a picture of them in his or her prime. It becomes clear early on in the film that the issue, which must be resolved, is whether the four main characters will perform the Quartet from Rigaletto in a benefit show to keep the home open. It will not spoil this movie experience to learn in the end they do it and we hear what have to be recordings of the rich voices of the real opera stars in their prime. Dustin Hoffman’s goal is achieved as we have a feel good experience about the ability to find meaning and satisfaction late in life. (2012)