West Side Story
****
One of our all time favored Broadway musicals as well as the subsequent motion picture was West Side Story. It first hit the Broadway stage in 1957, directed and choreographed by Jerome Robbins based on a book by Arthur Laurents and inspired by William Shakespeare’s Romeo and Juliet. The music is by Leonard Bernstein with lyrics by Stephen Sondheim. In 1961 there was the first film adaptation staring Natalie Wood, which we saw as a newly engaged couple.

There were numerous revivals on the Broadway stage as well as by many touring companies and now there is a new motion picture that had a $100,000,000 budget for this great musical production directed now by Steven Spielberg, starring Rachel Zegler as Maria and Ansel Elgort as Tony.

The storyline highlights the turf battle between the whites and the Puerto Ricans on the streets of Manhattan on the Upper West Side. It features interracial love, gang violence, and a lot more weaved into a fantastic memorable music and dance production. The film not only showed the disrespect that various ethnic groups had for each other but also showed the insensitivity of the police at that time.

While this was an excellent film, we do feel that some of the changes made did not serve to enhance the production. For example, the classic scene which took place in a gymnasium where the two groups were in conflict, which had lots of dancing seemed less ebullient than the original.The scene where the Puerto Rican girls were dancing and singing the praises of America with counterpoint by the Puerto Rican boys yearning for their former home was in memory from the original film, a perfect blend of choreography, color and longing contained on a rooftop setting. In this version, the whole number is opened up, taking place on the streets of Manhattan with a growing number of onlookers joining the dance. Somehow, it felt diluted in its new form and lost the punch of the original. Also, some of the emotional scenes were not as intense as we recall from the original. Nevertheless, we would strongly recommend this classic musical experience. The music, the lyrics, the dancing and the story can’t fail to grab you and keep you engaged. West Side Story continues to be magnificent, beautiful, painful and important.

*****

The Chaperone-sp

Elizabeth McGovern not only played the role of the chaperone in this movie but she actually chaperoned this film project to fruition after reading the book by Laura Moriarity showing it to Julian Fellowes and Michael Engler who were the writer and director of Downton Abbey and who then took on these roles with this movie.

The story opens in 1922 in Wichita, Kansas, where a talented teenage dancer (Haley Lu Richardson) from a well to do family has the opportunity to go to New York City and study with a prestigious dance school for a few months. Her family requires that a chaperone should accompany her and a neighbor, Mrs. Norma Carlisle (Elizabeth McGovern), is ready to take a break from her husband and volunteers for the job.

A cross country train trip sets the mood for their exciting time in New York City where well-dressed people parade in midtown Manhattan, the Prohibition laws are disregarded behind closed doors at various clubs and romance appears in unexpected places. In addition to being a delightful view of New York City about 100 years ago, the story reflects meaningful psychological issues that both the chaperone and her charge have to confront. Surprises, along with some in depth insight into the two main characters all add up to an excellent movie. (2019)

Your comments on this review or the movie are always welcome in the section below

 ****

The Only Living Boy in New York-sp

This movie has some shades of a Woody Allen film in its character studies of people and in capturing the atmosphere of Manhattan. It examines family and sexual relationships between a husband and wife as well as extramarital love and sex. It looks at a young man’s struggle with his sexual and romantic feelings. This is a psychological drama that highlights guilt, jealousy and even an important aspect of the oedipal complex. It is complicated and heavy stuff and it all flows from the pen of screenwriter Allen Loeb, who had written several successful movies before this earlier script ultimately came to fruition. This didn’t happen until Marc Webb became attached to it as director and a terrific ensemble cast was put together which includes Jeff Bridges, Pierce Brosnan, Cynthia Nixon, Kiersey Clemons and Kate Beckinsale. However, the character who ties the plot together is relative newcomer, Callum Turner, who plays Thomas, the 25-year-old son who ultimately makes deep seated discoveries about himself and each of his parents before he can move on with his life.

This Coming of Age  movie that will capture your attention and make you ponder each character’s motivation. The story has depth, poignancy and surprises which will grab hold you and won’t let go throughout the film. It certainly kept us thinking and talking as we left the theater. (2017) – Scheduled for release August 11^th

***

5 Flights Up – rm

This movie played to a full theater on a Saturday evening at 5:40 PM, with a full crowd lined up to come in for the next showing. Most were senior citizens.. This is not surprising as Morgan Freeman and Diane Keaton play a senior couple.

He is an artist and works at home and she is a retired schoolteacher. They have no children but their dog has just been brought to the vet because she couldn’t walk and appeared to be in pain. By coincidence Morgan Freeman’s character is having trouble walking up the five flights of stairs of the couple’s apartment. They decide that it’s time to sell their Brooklyn apartment and find an apartment with an elevator in Manhattan. Going through this experience with their niece (Cynthia Nixon) who is the real estate agent , became an emotional one which allowed flashbacks to earlier courtship years and among other things the reaction of her mother when they decided to marry. We see the trials and tribulations as people view their apartment and they check out possibilities for a future apartment for themselves. There are repetitive bids and counter bids as their anxiety and ambivalence comes to a crescendo.

The storyline is quite contrived and not very realistic . There also is an extremely negative characterization of the real estate agent. But in the end, most of those moviegoers lining up to see this picture will not be disappointed. They will see a loving couple who are facing life’s challenges with continued affection for each other and will walk away having seen a “feel good movie.” (2015)

*****

Extremely Loud and Incredibly Close– rm   It is very fitting that on the 10^th anniversary of 9/11 a major movie should emerge that captures the personal emotion that so many New Yorkers experienced as over 3000 lives were evaporated in just a few hours with probably close to 10,000 children losing a parent. The screenplay by Eric Roth (who also wrote  Forest Gump and The Curious Case of Benjamin Button)  based on the novel by Jonathan Safran Foer, achieved this feat by not only recreating the pieces of horror that so many people went through that day but it went several steps further and deeper. The movie exposed the idealized bond between father and son which when it is there, is the most extreme tragedy to lose. We also come to appreciate how sad it is when it was never there and what could have been. Just as you think that this is just about the father-son attachments, we are shown the  love and attachment that a surviving mother might have to her grieving child. Tom Hanks and Sandra Bullock are excellent as the parents as is Thomas Horn as a quirky pre-teen (possibly with Asbergers Syndrome)   who finds a way to speak or show what he is thinking and feeling. John Goodman, Viola Davis and Jeffrey Wright turned in great performances in smaller but key roles in the film.  Stephen Daldry should get kudos if not some tangible award for   pulling all this together as the director. However it is Max Von Sydow the veteran 83 year old actor,  who plays the old man with a special connection to the others, who never utters one word in the movie but  may have turned in the standout performance of this film. The storyline may be considered by some to be a little contrived but we understood it to be an allegory where a a young boy’s trip  through the five boroughs of Manhattan is a search for growth in himself.  We  found this movie to be a tear jerker in no uncertain terms. All Americans identified and connected to those fateful events.  But if you were in New York during 9/11 and even if you were fortunate enough not to have lost a loved one, you had to have been affected by what was going on around you. We recalled the cars in our suburban parking lot that were not picked up that evening by the commuters who never came home. We remember the thousands of homemade posters that were put up all over Manhattan describing their loved ones who were listed “as missing” when it was clear that they really had perished. We know all our lives will never be same again. Having lived through this, makes this film all the more meaningful.  It will be interesting to see if people are ready to see this movie or if the painful hype that invariably will accompany it will keep it from being a big box office success. If New Yorkers were the only ones voting it might emerge as the Oscar winner but in any case this movie will be part of the history which will define  this past decade. (2011)