*****

Spotlight-rm

Almost 40 years ago a film about investigative reporters who exposed the Watergate break-in and brought down the Nixon presidency was nominated for eight Academy Awards including best picture. That was All the President’s Men. Jason Robards, Jr. won for best supporting actor. Now today we have Spotlight, a terrific film about an investigative reporter team of the Boston Globe, who in 2002 dug into the hidden scandal of about 90 catholic priests who were molesting children. These horrific crimes were covered up and even when some of them were exposed, the priests were not prosecuted and would just be re-assigned to churches in other cities. The reporting team persisted in their work and even exposed the fact that Cardinal Law also knew about these activities and participated in the cover-up. This ultimately led to him being re-assigned to a posh position in a prominent church in Rome. This exposé rocked the Catholic Church and has implications that extend to the present time.

It will be very difficult to choose a best actor or supporting actor from these outstanding performances, since this was truly the work of an ensemble. The real life reporters, Mike Rezendes was played by Mark Ruffalo, Sacha Pfeiffer was played by Rachel McAdams, Matt Carroll was played by Brian d’Arcy and the Spotlight team team leader, Walter “Robby” Robinson was played by Michael Keaton. There also were great performances by Liev Schreiber as Marty Baron, the newly brought in overall senior editor of the Boston Globe who happened to be Jewish. John Slattery played Ben Bradlee, Jr. the long-time editor of the Boston Globe, who was a supervisor to the Spotlight Team. Interestingly, Ben Bradlee, Jr. is the son of the famed newspaper icon, Ben Bradlee who was the editor of the Washington Post during the Watergate scandal exposé. There were some other fine performances by familiar faces which included Stanley Tucci as one of the many lawyers in the film and Len Cariou (who plays the grandfather on Blue Bloods TV program) as Cardinal Law.

The director of this movie was Tom McCarthy who co-wrote the screenplay with Josh Singer. They made the decision not to collapse some of the characters in order to keep the team as the ensemble it was in real life. This may have somewhat diffused the potential drama of the movie. Early in the film, as each reporter went off on his and her own investigative aspects of the project, it was a little confusing as to who they were interviewing and why. This all came together as the two-hour and nine-minute film flew by with the tension mounting as the story progressed. We got the message that investigative reporting is hard, tedious work but when you see your subject in your “gun sight” and you realize you are dealing with a worthy subject, all the effort is worth it. The realism of the movie was also enhanced by some collaborative meetings by the actors with the real reporters. We understand that they held meetings with their respective characters and with some of them even watched how they performed in their workplace. The result is a movie that should not be missed or forgotten. (2015)

****

The Birdman (The Unexpected Virtue of Ignorance) -sp

This movie has the ingredients to be a very well received production. Much of it is a powerful Broadway play within a movie . Specifically it is about an aging movie star Riggan who has made blockbuster movies titled The Birdman who doubts his acclaimed accomplishments and feels he has to prove himself by directing and acting in a serious dramatic play on the Broadway stage. Probably, it is not a coincidence that the star of the movie is 63 year old mega movie star Michael Keaton of Batman and Batman Returns fame among many other hits. His costar is Ed Norton who plays Mike a younger accomplished actor who is totally into the moment with his very dramatic acting in the play. There are excellent supporting roles by Emma Stone, Naomi Watts, Andrea Riseborough, Amy Ryan and Zach Galifianakis. The creation of the film comes from screenwriter and director Alejandro Gonzalez Inarritu who is best known for Babel and Biutiful. Thanks to a collaboration between Fox Searchlight Pictures and New Regency he had a 16 ½ million dollar budget. Most of the film takes place inside a Broadway theatre or within the surrounding two or three blocks in the theatre district in New York City. The scenes each last several minutes. These long takes characterize the film and the viewer is given the impression that one camera is following the actors as they move through the winding corridors, dressing rooms, balconies and the stage itself, which would appear to be the well known St James Theatre. Riggan’s inner voice is quite loud and appears external. To further keep things rolling along, the music background score is almost entirely drums. The audience at times is asked to suspend reality but the intense drama keeps us grounded. Despite the high flying antics of Mr. Keaton the most revealing moment in the film would appear to be when the NY Times theatre critic who can make or break any show seems determined to break this one because she doesn’t believe Superhero movies stars have a right to claim the Broadway stage as true actors. While the movie had a dramatic flair and an intensity, which held our attention, we felt we were watching characters tell about their stories and situations rather than identifying with them and fully experiencing their plight. We suspect this will be one of those movies that people will either love or walk away without being moved but it is worth being seen. (2014)

* * *
Toy Story 3 – rm – Since we had missed the opportunity to take our grandkids to this animated movie we were going to pass on it. However several of our friends went out of the way to tell us that this was a good adult movie even without youngsters – so we decided to see it in our local theater. The master of the toys is about to go away to college so he has to pack them up for the attic, donate them or send them to the trash and maybe take one to school with him. The toys themselves are divided on what to do and the story goes from there. Needless to say the story is quite touching . It was also suspenseful and at times more scary and violent than we expected – the kind that where toy characters get bopped around or are just a hair away from being pulverized by some big machine. The youngsters in the theater seem to handle these emotions quite well and reacted very positively about the whole movie. There is the requisite moral of the story and that is if you work together and are loyal that is a good thing and you will get rewarded. As expected the animation was superb and, of course, the voices of the characters who were mostly familiar actors and actresses who were at their best. Tom Hanks was the voice of Woody the leading character. A partial list of the outstanding other voices include Tim Allen, Joan Cusack, Michael Keaton, John Razenberg , with Don Rickles and Estelle Harris playing Mr. and Mrs. Potato Head. The movie was directed by Lee Unkrick who also directed Toy Story 2. It met our expectation but we still think we would have enjoyed it more with our youngsters. On the other hand we didn’t see the 3D version although we doubt that would have made us up our rating. We would imagine it is a don’t miss movie for any kid over 4 or 5 or anyone really young at heart 2010