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Beyond the Lights – nf

We all know the story of a celebrity going from rags to riches. A child from a poor family blossoms forth with his or her inherent talent and becomes a superstar. Every generation has witnessed this phenomenon. In the days of radio, there was the Amateur Hour. Television brought us America’s Got Talent and many other programs. Some people become worldwide internet and YouTube stars. There are record contracts, world concert tours, etc. Sometimes this trip leads to drugs, overdoses, unhappiness and occasionally even suicide. If that person gets lost in their meteoric rise to the top, can the essence of that person ever reemerge?

This movie shows us a fictional story of a young woman (Gugu Mbatha-Raw) who, thanks to her talent and a ferocious super mom (Minnie Driver) who only sees stardom for her daughter, is quickly achieving fame and fortune. However, this rising star soon finds herself feeling that life is not worthwhile and is about to jump off a hotel balcony while staring into the eyes of young police officer (Nate Parker) who is trying to save her.

The subsequent journey that these two people take is a classical love story, but also a reminder that everyone has to find themselves. We are all not superstars, but there may be a pathway for most people to discover their own passion. It obviously helps and is a nice touch if you fall in love while you are on this journey.

The poignancy and passion of the story is enhanced by the fact that there is some excellent music and singing built into the movie with words and sounds which will stir the emotional undercurrent of this theme. Gina Prince-Bythewood, director and screen writer, deserves kudos for a job well done that will ring a bell in many viewers and touch your heartstrings. (2014)

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Barney’s Version: rm   The last time we saw a Paul Giamatti film, this talented actor was in  Cold Souls, a 2009 release and he was present on screen for what seemed to be more than 95% of the movie. Such is the case with Barney’s Version as the film revolves around Barney Panofsky and his arrogant, self centered and yet needy persona over a forty year period. A man who meets his third wife (Rachell Lefevre) at his  wedding to his  second wife (Minnie Driver) and then leaves the reception to pursue her is certainly suspect of being not such a nice guy. Then there is the question why would #3 allow her self to be interested in him knowing his history? Despite her seeming to be a charming intelligent, lovely woman herself is she so  flattered by his attention and persistence that she ultimately becomes his wife and mother of his two children? It is interesting to consider how this movie depicts women. While certainly a complicated issue considering the time setting of most the scenes (20-30 years ago), it did seem that for the most part they are shown in a stereotypical manner mainly  as appendages to the men in their lives. Then there is the fact that Barney is clearly Jewish. The wedding is a stereotypical Jewish affair (except perhaps there is an over emphasis on alcohol). The movie is based on a novel by Mordecai Richler is well known for writing about the struggle of Jews such as his acclaimed book Apprentice of Dudley Kravitz set in Canada in a Jewish environment as was much of this story. In this regard Dustin Hoffman plays Izzy, Barney’s very Jewish father but he happens to be a cop! It also seemed to us that the storyline really had to go to an extreme at the conclusion to get us to really feel sympathetic towards Barney. However, in the end it is the acting of Giamatti which will stand the best chance of selling this movie. He apparently sold the Golden Globes as they gave him the award for the best actor in a musical or comedy and we don’t think this movie is a  comedy at all and certainly isn’t a musical. In fact the movie was released in late January 2011 so we aren’t even sure how this qualified for the award. But on the other hand, this isn’t your ordinary story; it is Barney’s Version. (2011)