SPEER GOES TO HOLLYWOOD-sp
***

The title of this film suggests that somehow the story of this major nasty figure has been jazzed up or perhaps has been fabricated to make it a Hollywood production. However, the director and producer, Vanessa Lapa and Tomer Eliav, producer and sound designer whom we met after seeing the film at Stephen Farber’s “Reel Talk” film series, claim the story is factual and true to life. They report how they had meticulously have gone through the archives of film about World War II including recordings of the Nuremberg Trials in which Albert Speer was one of the defendants. Interestingly, they did not use the voice of Speer but rather they hired a voice actor to speak the words of the real-life players mostly German with subtitles. The rationale was that the audio quality of these old tapes was too poor to use.

We mostly follow Speer during World War II as a designer and builder of prison camps as well as confidante to Hitler and his inner circle. The prisoners (obviously mostly Jews) are seen and there was indication of forced labor and exhausted emaciated prisoners. The actual crematoriums were not shown in much detail as they deserved to be shown. The fact that we were seeing actual pictures of the inhuman treatment of the Jews makes the film riveting even if we don’t fully appreciate Speer’s role in carrying out Hitler’s extermination plan.

Speer was apparently the only major figure not to be sentenced to execution at the Nuremberg Trials, but rather served 20 years in prison. He even subsequently wrote a successful book once he was released. The film does not clearly address why he was spared execution. There was some mention how he provided some valuable information for the allies and not to the Russians.

It is also interesting that in response to a question to the film makers they stated that the initial funding for the film was provided by the Israeli Government. Any new insight into the Holocaust even years later is still riveting. Although the film did not go as deeply as it might have done and did leave many unanswered questions, it still is a major contribution, so we will “never forget.”

*****

LABYRINTH OF LIES -sp

To us, one of the most important and memorable aspects of this outstanding film is that the current generation of German filmmakers and the people related to this industry, have decided to make this movie the 2015 entry from Germany to the Oscars for best foreign film. Doing this also reflects the monumental theme of this movie, which is the responsibility of the German people for Auschwitz and the Holocaust.

The story is based on actual events and follows a young German prosecutor (Alexander Fehling) in Frankfurt, Germany in the early 1960s as he becomes aware that identifiable people now living in Germany were responsible for murder in the Auschwitz Camp during World War II. Although the Nuremberg trials, which occurred shortly after World War II nearly 20 years previously, were monumental in the prosecution of members of the political, military, and economic leadership of Nazi Germany who participated in the Holocaust and other war crimes, those trials were carried out by the victorious allies. In the film, which depicts a true story, we see, probably for the first time ever, a government trying to prosecute its own former soldiers. The question of who was guilty and was there any family spared having a war criminal among them is raised. As one of the characters states, the only innocent people were those who weren’t born yet or who were small children when all these events happened.

It matters very little that the main focus is on Johann Radmann who is the prosecutor played magnificently by Alexander Fehling, who was in reality a composite of three prosecutors in real life. All the characters in the movie are true to life and very believable. One of them, Fritz Bauer, played by the famous German actor, Gert Voss, has a famous legal institute now named in his honor. One of the buildings where the archival records were being searched in the film is the actual location of where the well kept records of the Nazi regime are now stored for historical examination.

Director/writer Giulio Ricciarelli has been very thoughtful in his choices, so as not to make the movie a recapitulation or a reenactment of the horrors of the Holocaust. Rather, he puts the focus on the impact on the people living in post-war Germany. One interesting point that was made very clear was that most of the German people at the time, depicted in the film, did not know about Auschwitz nor did they want to know about it.

We were reminded that our recent personal observations have shown that most contemporary Germans no longer deny their history. This was very clear to us in our recent visit to Berlin, where we saw the names of displaced Jews embedded in plaques on the sidewalks in front of their former houses. We also visited the very complete and well-done Holocaust museum as well as many other points of remembrance. This film clearly created an honest reflection of German history, which was not known to most of us. It was a powerful and beautifully done work of fact, emotion and importance. (2015)