***

Bad Words-sp  This is  Jason Bateman’s directorial debut starring Jason Bateman. It can be described as a mean or subversive comedy. The main character says and does cruel things to other people including a bunch of preteen kids which although they are “funny” they are not very nice.We meet Guy Trilby (Bateman) as a 40 year old guy who is entering the national spelling bee contest which he is determined to win and claims the right to be in it since he meets the criteria of never completing the 8^th grade.He is accompanied by a reporter (Kathryn Hahn)  doing a story about his endeavor for a web site. He overcomes the objections of Dr. Bernice Deagan  (Allison Janney), one of the administrators, and confronts the founder of the contest, Dr. Bowman(Phillip Baker Hall), who are both furious at him, as are all the parents of the young other contestants. Trilby plays distracting mean tricks on some of the kids to get them eliminated from the competition. He does befriend one of the kids, 10 year old Indian boy Chaitanya Chopra with whom there is a hint that he identifies with him. We see terrific chemistry between the two and a great acting job by a young boy by the name of Rohan Chand. And now for an announcement SPOILER ALERT which is necessary although we probably knew the secret for 1/5 of the film and still enjoyed it. The question, of course, is why would a 40 year old man undertake this mission? The answer has something to do with the fact that we learn that the founder of the contest, Dr. Bowman, actually once as a traveling salesman met Philby’s  mother and became his biological father but never stayed around and of course does not know this fact. Philby had found this out recently just before  his mother died and now is on the mission to screw up the good doctor’s prestigious spelling contest. In the end this makes for an interesting, funny and ultimately a feel good movie that many people will enjoy seeing.  But his film fascinated once of us (MB)  because we have observed some variation of this theme is numerous movies played out in different ways, as well as having seen it in several real life situations. But in each case the motivation and the actions of the person searching for his or her biological parent or child is different. It certainly is not always vindictive as in this story and sometimes it is to establish a meaningful connection. Here are some films and our reviews where this was the main theme:

Philomena -Elderly British woman who had child out of wedlock in convent goes to US to find out what happened to him. Stars Oscar nominated Judy Dench

The Kids Are All Right– Two lesbian parents are raising two teenage kids who decide to search out their sperm donor biological dad. Annette Bening, Julianne Moore and Mark Ruffalo

People Like Us – A man and woman never realized they were from the same parent Elizabeth Banks , Chris Pine and Michelle Pfeiffer

Stories We Tell – Documentary by a woman  who uncovers secrets of her family and that she was not her father’s child. Sarah Polley

Admission– Assistant Dean of Admissions realizes an applicant is her child given up at birth- Tina Fey, Lily Tomlin and Pail Rudd

Mother and Child   Mother child relationships . Children given up for adoption and fantasies of children who want  to reunite with their mother. Annette Bening and Noemi Watts

I have also written about three cases from real life in my PsychiatryTalk.com blog  (http://www.psychiatrytalk.com/2012/07/discussion-of-the-phenomena-of-unknown-family-members/)       (2014)

 

****

Philomena -  Early in the film we learn that Martin Sixsmith  (Steven Coogan), a former journalist, has lost his job as a Labor government (British) advisor and decided to meet Philomena ( Judy Dench) an elderly woman who as a teenager had an out of wedlock child at a convent and saw that child taken away for adoption. In her later years she unsuccessfully tried to find out what happened to him and never stopped thinking about him even after she became a mother and grandmother. She agrees to let Sixsmith help her try to find her, long lost but never forgotten, son and write a human interest story about this situation.  

The film is based on a non-fiction book The Lost Child of Philomena Lee by the real Sixsmith which documents the journey of this unlikely pair. This movie about this human trauma was directed by Stephen Frears with a screenplay by lead actor Coogan and Jeff Pope. It takes a hard look at the attitude of the Catholic Church towards unwed mothers (at least in Ireland 50 years ago but which may not have completely changed today.) It pulls no punches in showing the cruel treatment of the unwed mothers who had to work in oppressive conditions  for a few years in return for having had their  child delivered and cared for by the nuns in the convent, only to see their little one sold to rich Americans who were looking to adopt a child. The details of the destiny of the children were hidden from the mothers and attempts to later trace them were covered up with lies and deception. There is an attempt at some balance by showing the contrasting lack of religious faith by the journalist compared to the almost all forgiving faith of Philomena but in the end the Church does not look very good.

The movie also reminds us of the painful discrimination towards people with HIV disease which existed in the United States, especially in the 1980s. Both Coogan and Dench are excellent as they convey their subtle emotions and the grand lady of theatre and film may be up for another of her many awards. The storyline of this film also deals with a psychological topic that one of us (MB) has been interested in from a clinical point of view as well as how it has been depicted in various movies. Lost or hidden family members is the subject and the incessant drive to find that person where the emotional connection is intensely built on the biological connection even  when the life experience together has been very little or even absent. Some of the recent movies which we have reviewed on this subject have been The Kids Are All Right,  People Like Us, Stories We Tell, Admissions   and Mother and Child. MB has also written about this with case examples in a blog titled PsychiatryTalk.com  which you can click here to view. This very fine film is not only another example of this phenomena but also stands on it’s own as a compelling dramatic production, (2013)

****
People Like Us – sp We know of several instances, from personal life as well as from our professional work, of friends and relatives encountering siblings who they never knew previously existed. Each story is different but the impact on the people involved is usually quite powerful. No matter what age this revelation occurs it has the potential to shatter one’s concept of your parents, rework your ideas of honesty and truth and lead to a reexamination of your own identity. The writing team of Alex Kurtzman, Roberto Orci and Jody Lambert each had some personal experience or first hand knowledge of such events which they were able to draw upon to put together this remarkable story. They weaved the details of the story line of each character together with the emotional reveal in a manner which riveted the attention of the viewer throughout the whole process. Although most of the characters were quite likeable and the story was sprinkled with some heart warming comedy, we were still witnessing a tragic story which appeared to be doubling down on the bad luck that each character was experiencing. Sam (Chris Pine) and Frankie (Elizabeth Banks) are the family members who once they confront each other have to relive and deal with the meaning of their unhappy childhood. Michelle Pfeiffer has the role of Lilian, Sam’s mother who is hardened, bitter and looks it which in itself is a great accomplishment for this very fine and beautiful actress. Michael Hall D’Addanio is Josh, Frankie’s 11 year son in a performance which may very well be remembered after he establishes himself as an adult star. Josh’s recently deceased grandfather Gerald Harper was a music and record producer who has created all the misery on the screen as he has fathered both Sam and Frankie while neither knew of each other’s existence. Throughout most of the 115 minutes of this movie , it seemed almost impossible to imagine how any type of satisfying ending was remotely possible. Much of the success for the resolution of the story and execution of the movie should go to Alex Kurtzman who not only co-wrote the story but also directed it. In the end not only are the characters all in a better place with a new prospective on life, but the audience has the chance to reconsider our own relationships with parents and children because the movie we have just seen in one way or another is about “ people like us.” (2012)