***

QUEEN & SLIM-rm

This is a road trip movie but under tragic circumstances. It is directed by Melina Matsoukas with a screenplay by Lena Waithe based on a story by her and James Frey. It stars Daniel Kaluuya and Jodie Turner-Smith. The film opens as we meet a black couple who are on their first Tinder arranged date. Things go wrong in what should have been an innocuous police stop. Within a few minutes, it turns into a horrendous situation where the young woman is shot in the leg and the police officer is killed. We follow the frightened couple as they flee and become labeled as wanted criminals. We get insight into the prejudiced environment that could allow such a situation to develop. We also come to see how family and friends as well as friends of friends try to help this couple survive against the unfair forces that are pitted against them.

If you were someone who grew up being taught that the police are fair and are your friends, you will be clearly reminded that certainly this has not been the case for many people in the United States, especially many people of color. The message of this film is important and terrifying but the film left something to be desired. (2020)

 

 

*****

The Hate U Give

We both read the outstanding book by Angie Thomas upon which this movie was based, and did not expect a film to make a strong impact on us especially since we were anticipating all the dramatic moments. Much to our surprise, we were totally engrossed in the film and had a meaningful emotional experience as the two hours and twelve minutes running time flew by.

The story opens with a father giving his children “the talk” which is well known to most black families. We then see their worst nightmare unfold as Starr (Amandla Stenberg) and Khalil (Algee Smith), two black teenagers who have known each other since childhood, are driving in a car when they are pulled over by a white policeman. The teenage boy who was driving was asked to get out of the car and wants to know why he is being pulled over and is quite irritated. A minute later there were gunshots. The boy is dead and the girl is about to go through a life changing experience. The audience steps into her shoes, or should we say sneakers, and identifies with her through the wonderful screenplay adaptation of Angie Thomas’ novel by Audrey Wells who unfortunately passed away shortly before the release of this movie.

The movie was directed by George Tillman Jr., an African-American film producer, screenwriter, and director, who previously directed Soul Food and Man of Honor. Stenberg is stunning as the beautiful young woman who displays a wide range of emotion and an ability to relate to the people around her as well as to the tumultuous experience that she was going through. Russell Hornsby (who we understand is an accomplished Shakespearian actor) was excellent as her father. The supporting cast, which included two siblings played by Lamar Johnson and T.J.Wright were on target as was Issa Rae who plays an activist attorney. The rest of the cast was superb as was the realistic setting that was created. We were moved to anxiety and tears. This certainly was one of the best films that we have seen this year. (2018)

****

Detroit-rm

One of our all time favorite films is The Hurt Locker, which was directed by Kathryn Bigelow for which she became the first woman director to win an Oscar. She certainly has not lost her touch. This film grabs the viewer and transports us into Detroit in 1967. Racial tensions were high and the National Guard and state police were called into the city as the riots exploded. There was an incident at a small hotel in the inner city where a several black men and two white women were held at gun point by four or five white Detroit Police Officers who believed that there was a sniper who shot at the policemen from the hotel. The prejudice and hate from the white police and how it was transformed into violence was quite dramatic and palpable. It did seem strange that there were no ranking police officers (Sergeants, Lieutenant or Captain), who were called to the scene. But this aspect he did not diminish the realistic and almost documentary feeling, which this movie conveyed. This slice of American history is very well presented with the raw emotion, which was part of it. While we hope that we have come a long way from this event, which occurred a half century ago, we obviously still are not free from prejudice that shows up in various manifestations in our society today. This is why such a film deserves our attention and should hold an important place in our memory.

This film also played homage to the Detroit Motown sound in the storyline as well as in the soundtrack. The actors were outstanding as was the setting, special effects, and editing which included film footage from Detroit in 1967. (2017)

****

Straight Outta Compton

While we usually enjoy music and movies about music, we knew it from the get-go that the music in this film was not going to be our cup of tea. In fact, not only did we have trouble following the words of the rap which predominated most of the film but initially, we had some difficulty following the dialogue. It certainly was loud enough but it took awhile for us to catch most of the spoken words. It almost felt that we didn’t speak the language as we heard the audience around us laughing while we missed some of the punch lines. But as the film progressed, we seemed to get in the groove as the almost two and half hours of the running time of the movie seemed to go by quite quickly.

We witnessed the formation of the group N.W.A. which we learned did not stand for No Whites Allowed but rather means Niggas Wit Attitude. It all began as Eazy-E (Jason Mitchell) originally connects with Dr. Dre (Corey Hawkins) and they bring in Ice Cube (O’Shea Jackson, Junior – who is actually the son of the real life Ice Cube). The film, starting with the bristling violence of the first scene, graphically depicts the unremitting brutality of the then Los Angeles police force. Their constant stereotyping and baiting of young black men was shown to demoralize and then help to provoke the simmering rage that erupted into the rap lyrics that made N.W.A. what it was.

We see the group connect with the man who was to be their manager and eventually cheat them out of lots of their money, Jerry Heller (Paul Giamatti). We could not help but remember that Mr. Giamatti plays a similar role in another recent film about the music business. In that movie he was a psychologist and a manipulator of Brian Wilson in the biopic Love & Mercy which is all about the Beach Boys.

Of course, the music of this film that we are discussing is a completely different genre, better known as Gangster Rap or West Coast Hip-Hop. N.W.A.’s first album and lead song in 1988 is the title of this movie, Straight Outta Compton. Another song on that initial album was titled Fuck The Police. The film shows how this song inflamed the police and led the band to being arrested and abused by the police. That situation reminded us of an incident which occurred two years later, when a black hip-hop band by the name of 2 Live Crew was thrown in jail in Florida for singing songs with obscene words. A white rock band from New York named Too Much Joy then tested the limits by going down to Florida to see what would happen if they covered that album in a local club. They were arrested and spent the night in jail before they were acquitted in a brief trial. The lead guitarist for that band was our son, Jay.

Outta of Compton very realistically reflects the mood and the times in which this band and its music became popular. Although the Watts Riots were about 15 years earlier, N.W.A. were products of the gang infested Los Angeles streets that were still out of control. As these young men became successful musicians, we see their opulent lifestyle and the interesting but sad objectification of women that seem to be part of their lives. We followed them as they realized that they were being used by their manager, Jerry Heller, and their recording label. They had schisms and falling outs with each other but yet we also witnessed the bond between them which brought them back together. The movie also reminds us of AIDS, the great scourge of the 1980s which struck down one of the band members.

We come away from this film appreciating the importance which this music had in the lives the young men and women of the N.W.A. generation. Director F. Gary Gray appeared to translate the screenplay by Jonathan Herman and Andrea Berloff into moving and believable cinema. The camera work, lighting, editing and the use of music were first rate. The filmmakers were assisted in the behind the scenes production by the real Ice Cube and Dr. Dre who helped to bring home the beat of this film and make it quite authentic. While this is biopic of an earlier era, sadly, part of its message resonates today in the “Black Lives Matter” movement. (2015)

****

Terribly Happy- nf-  ( In Danish with English subtitles) It is not surprising that this film and cast has won numerous international awards. The direction, acting, photography, lighting is all on the mark and the story is suspenseful and gripping. This film project got started when two men who were friends in their youth growing up in rural Denmark and now were achieving success in their respective fields were able to reconnect. Dunja Greg Jensen a writer, shared a story he was writing, based on some true events in his family, with film director  Henrik Rubin Genz who then collaborated with him in the screenplay for this movie. It is the story of a Copenhagen policeman Robett (Jakob Cedergren) who  is reassigned to small isolated town. The people here are a tough somewhat odd group and John gets drawn into a situation with  a married couple, where the man, by the name of Jorgen (Kim Bodnia)  has been abusing his wife Ingerlise (Lena Maria Christensen). Ingerlise appears to have what we psychiatrists call a Borderline Personality and she succeeds in seducing our policeman Robert. Things then begin to have serious twists and turns which makes this movie a very exciting thriller. The movie succeeds in that the viewer is able to identify and feel empathy with Robert despite the fact that he works  his way into some “deep shit” and does some things that are not very nice. This is not so much of a “who dunnit movie” as it is a “what is he going to do now movie” which, will keep you on the edge of your seat and give you a good ride. (2008)