***

QUEEN & SLIM-rm

This is a road trip movie but under tragic circumstances. It is directed by Melina Matsoukas with a screenplay by Lena Waithe based on a story by her and James Frey. It stars Daniel Kaluuya and Jodie Turner-Smith. The film opens as we meet a black couple who are on their first Tinder arranged date. Things go wrong in what should have been an innocuous police stop. Within a few minutes, it turns into a horrendous situation where the young woman is shot in the leg and the police officer is killed. We follow the frightened couple as they flee and become labeled as wanted criminals. We get insight into the prejudiced environment that could allow such a situation to develop. We also come to see how family and friends as well as friends of friends try to help this couple survive against the unfair forces that are pitted against them.

If you were someone who grew up being taught that the police are fair and are your friends, you will be clearly reminded that certainly this has not been the case for many people in the United States, especially many people of color. The message of this film is important and terrifying but the film left something to be desired. (2020)

 

 

*****

Green Book-rm

This is a fresh original look at the unbridled racial prejudice that was still present in the South in the early 1960s. It is directed by Peter Farrelly, who co-wrote the movie with Nick Vallelonga and Brian Currie. It is based on the true experience of a well-known black musician known as Dr. Don Shirley (who is played by Mahershala Ali). Shirley is invited to go on tour in the South and play in various theaters and at the homes of wealthy people although he could make more money performing in the NY area. He agrees to take this tour knowing well and perhaps because of an event that happened in the mid-1950s when famed black singer Nat King Cole was racially attacked on stage during one of his tours in the South. Shirley is about to take his tour into the South with his trio and he engages a tough guy known as Leo the Lip, (played by Viggo Mortensen), a guy, with an Italian background who was on a hiatus from his job, as a bouncer at the famed New York Copacabana Nightclub to be his driver.

What emerges is a magnificent character study of both men as they go on this journey into the segregated South that clearly existed in the United States in the mid-20th century. Through their eyes and their feelings, the movie viewer gets an insight into the prejudicial society that they were encountering. While the performance of Ali as a skilled pianist was excellent, it was Mortensen’s performance and his ability to show the subtle insights that his character developed, that made this an outstanding film

Although it is no longer necessary to have a “Green Book” to find a hotel that will accept people of color, we know that prejudice towards people who are different still exists. Therefore, it is a movie such as this one that is always helpful in making us takes take stock of our own values and the bigotry around us. (2019)

Please consider leaving your comments below 

*****

To Kill a Mockingbird – nf

Sometimes when you think about great classic movies which you may have seen years ago, you might wonder if they were really as good as they were supposed to have been. Every once in a while we take such a stroll down memory lane and view one of them. Certainly in this case, we were not disappointed.

The setting of this movie was during the Great Depression in Maycomb, Alabama in the 1930s. This was a time when there was overt prejudice towards black Americans. In fact lynchings were occurring in the Deep South. Remember, also when this film was released in 1962, Martin Luther King was yet to make his “I Have a Dream Speech” and didn’t tragically lose his life through assassination until six years later in 1968.

Gregory Peck, in a terrific Oscar-winning performance, plays Atticus Finch, as small town lawyer who is widower and lives with his eight and six-year-old children. He is asked by the local judge to defend Tom Robinson (Brock Peters), a black man who is unjustly accused of raping and beating a white woman. The courtroom scenes are riveting.

Of course, great credit goes to the original author, Harper Lee, who wrote the book and Horton Foote, who wrote the screenplay. We also appreciate the accomplishment of the director, Robert Mulligan, especially because the audience sees much of the meaning of this film through the eyes of Finch’s two children, six-year-old Scout (Mary Badham) and 8-year-old Jem (Phillip Alford). Their identification with the morality and sense of justice of their father is what we hope and believe comes through to succeeding generations. The supporting cast is excellent and includes Robert Duvall who plays a young man with developmental problems who reflects an additional theme of the movie. It shows how people react to someone who is “different,” with fear and the need to distance themselves. This subplot in the story is another indication of the need to put ourselves in “someone else’s shoes,” in to order to try to understand that person.

The film which is 129 minutes, is in black and white and will hold your attention as well as being an unforgettable piece of cinematic history. It is also a reminder of how people are capable of prejudice and hateful discrimination. (1962)

*****

Facing Fear-sp We doubt very much that most of the readers of this blog will see this short documentary film (20 minutes) that has been nominated for an Academy Award. However, when it turns up on TV you should take the time to see it and if you are involved with educating people about bullying, overcoming prejudice and similar issues, you will want a copy of this DVD when it comes out.

As a 13 year-old, Mathew Boger was literally thrown out of his house when he told his mother that he was gay. He ended up spending most of the next few years living in the street of Los Angeles. Tim Zale grew up part of neo-Nazi Skinhead gang with a large tomahawk hair cut on his mostly shaven head. He and his buddies would cruise the streets of Los Angeles getting into fights and bullying some of the homeless people they encountered. This was to be the case late one night in front of a well- known LA hamburger place where Zale and his pals encountered Boger alone in the street. They beat him up and while he was on the ground Zale delivered kicks to head and face with a boot that had a razor in the toe. They left him believing he was dead.

Boger survived, but the hate and persistent anger at his attackers was part of his fantasy life for many years.  Both young men moved on with their lives. Zale went to school, ultimately received a Masters Degree and had a family. His thinking began to change when he saw some of his hate and prejudice towards various groups being verbalized by his own son. Boger established a long-term relationship and eventually got a job as an administrator in charge of tours at the Museum of Tolerance in Los Angeles. By coincidence, Zale began to volunteer to give tours and lectures to the public at this iconic museum, which is best known for graphic depiction and personal stories of the horrors caused by Nazis during the Holocaust. During his time there Zale would share how his thinking had evolved over the years. One day they both were lecturing a group together and by the details Zale was describing of his youth, Boger realized that Zale was part of the group that almost killed him. They began to have private discussions and both immediately knew that it was Zale who delivered the nearly fatal blow to his new colleague at the museum and left him for dead twenty-five years before.

Director and Producer Jason Cohen very skillfully weaved the narrative told by both men with very effective images of the streets of Los Angeles. There were some photographs of Zale and his buddies in their earlier days as skin-heads but there were no photos available of Bogart as the homeless street kid. Miraculously, Bogart’s sister had some old films of him as an infant and a small child with his very attractive mother. Credit should also be give to Director of Photography Svetlana Cvetko, who won an Academy Award for Inside Job and veteran Editor and Co-Producer Tom Christopher who has worked in the past with George Lucas and others.    

The tremendous value of this film is to watch up close the ruminations of Bogart and Zale as they examine their feelings about each other and what happened in the past. Bogart’s incredible journey to forgive not only Zale but also his mother is quite remarkable. Zale’s task to face Boger and ask for forgiveness and then also to forgive himself is also quite dramatic as well.

We cannot think of a better teaching tool to show to students as well as victims and perpetrators of prejudice. It can only be a wonderful instrument to stimulate discussion, self-reflection and insight. The filmmakers, having received this unexpected recognition of an Academy Award nomination, plan to have their work available to those who want to see it and use it for these purposes. For more information about the film you can go to their website:  http://www.facingfearmovie.com/   (2014)