**

The Mustang-rm

There is a program in a western U.S. maximum-security prison where inmates can learn how to train a wild mustang horse. If they succeed the horse can be sold at auction. Horses that can’t be tamed are often euthanized.

We meet Roman Coleman (Matthias Schoenaerts) a somewhat taciturn violent prisoner who becomes involved in this program. There are interesting well-photographed scenes where we see the trials and tribulations of men working with their horses. There are short but well-done supporting roles by Connie Britton a prison psychologist and Bruce Dern who plays the old guy who tells the prisoners how to train their horses.

Unfortunately, we learn very little about the previous background of the main protagonist as we are just given fleeting glimpses of what happened to him and his relationship with his adult daughter (Gideon Adlon) who visits him periodically in the prison. We learn essentially nothing about the other prisoners who are participating in the program and must have stories to tell.

Seeing a wild horse show some recognition to the human trying to train him is a touching emotional experience but is not enough to carry this film and make it worthwhile. We feel that the storyline failed and therefore the movie failed, however, well directed by Laure de Clermont-Tonnerre. Even though there were some great scenes of horses running wild or even cozying up to their trainer, we just cannot recommend this movie. (2019)

Any comments are welcome in the section below 

****

Trial by Fire -sp

We see the theme of this movie played out on television all the time on shows such as Dateline or 20/20 and others. A person is accused or convicted of a murder but in many cases he or she did not do it. We recall at least two outstanding books which dealt with this subject, Just Mercy and The Ghost of the Innocent Man. We also recall an excellent film we saw several years ago on this subject titled Conviction. We know about the innocence project and the work of Barry Scheck in many states throughout the country and how scientific advances such as DNA testing have made an important impact on criminal prosecution. So, when director Edward Zwick and screenwriter Jeffrey Fletcher decided to take a prize-winning article in New Yorker Magazine by David Grann to the screen, they were not the first to put a searchlight on this important defect in our criminal justice system. Despite the fact also that we usually find any film over two hours a tad too long, they did an outstanding job which riveted us to our seats and allowed us to explore the characters involved and the message of the movie.

Jack O’Connell deserves Oscar consideration for his depiction of the nasty husband who frequently abused his wife and was home alone with his three children when a fire broke out and the kids were all killed. He claims he did not start the fire but the police, neighbors, fire inspector, a snitch who was briefly his cellmate, the district attorney, eventually his wife and the jury all say that he did it.

What follows is his nine years in jail and an insight into life in prison with much of it being in solitary confinement and then his time on death row. We also get an insight into this man’s character and how his understanding of life evolved. Another very important character is a woman played magnificently by Laura Dern who was recruited to write a letter to a prisoner in jail but ultimately meets him and becomes an advocate for him. We also get an eye-opening view of the criminal justice system in this particular state. In fact, we see that the checks and balances that are supposed to be in place are quite questionable all the way up to the office of the Governor. Did we mention that this took place in Texas? However, the injustices here are found throughout the country

When we saw this film and met the director, Edward Zwick, the film makers were having some difficulty in setting up distribution and a release date. You may have to catch this movie on TV. However, it should be seen and the message and the illumination it provides are incredibly important. (2018)

Screened at 2018 San Francisco Film Festival

Unknown opening date for USA

***

Tre Maison Dasan

Tre, Maison, and Dasan are three boys each of whom has a parent who is in prison. First time documentary filmmaker Denali Tiller has taken on this project to follow these three youngsters and show the often tender visitations that they have with their parent while in a Rhode Island prison. These take place in a large child friendly area where many children are having visits with a parent. She also follows these three youngsters at home with their families. Some of the footage is quite an accomplishment as she follows her subjects for almost three years and captures tender personal interactions between child and parent.

In a post film discussion, we become aware that one important goal of the filmmaker was to advocate for such visitation programs in a suitable environment in prisons throughout the country as well as education for parents on the importance of such interaction for children who have a parent in prison. Unfortunately, this message was not made clear in the film and we believe this was a lost opportunity (2018).

***

Midnight Return-sp

Billy Hayes was a 23 year old student when he was caught trying smuggle four pounds of hashish , strapped to his body out of Turkey in 1970. He was originally sentenced to four years in a Turkish prison but then the sentence was change to a life sentence. During the course of his imprisonment he was transferred for a while to psychiatric hospital and then to another Turkish prison. In 1975 after 5 years in prison he miraculously escaped to freedom via a row boat to a nearby town and then found his way to the Greece border with money his father had clandestinely given him during a prison visit and he ultimately made it back home to the United States.

Once back in the U.S. he wrote a book on his experience, titled Midnight Express which in 1978 was made into a wildly successful movie starring Brad Davis, directed by Alan Parker, with an award winning screenplay by Oliver Stone which essentially launched the now famous movie director’s career. The unanticipated impact of this movie was to portray all Turks as bad and to basically to paint a world wide negative image of Turkey which impacted its reputation and hurt it economically especially in regards to tourism.

Sally Sussman, a successful writer who was Head Writer of the daytime television programs, Days of Our Lives and The Young and the Restless, became interested in the story behind the movie and found a way to meet with the various moviemakers of this film and Billy Hayes himself. She put together the team that raised the capital to make this documentary film Midnight Return and interviewed Hayes, his family, Stone, Parker as well as others who were crucial in making the film. She examined the impact of the film, how certain issues were exaggerated, gives an insight into how Turkish Americans reacted to it and most interestingly through old footage and many interviews traces the life of Billy Hayes for about the 40 years since he escaped from Turkey.

We can imagine that those who have seen the original 1978 Midnight Express and were impacted by it when it came out, will find this follow up to be especially fascinating. We did feel that this 99 minute documentary felt somewhat drawn out. It did not give us the in depth look at Mr. Hayes that we would have liked. While he did develop somewhat of an acting career later in his life and actually recently visited Turkey, it does appear that he remained single and this early trauma of his youth still dominates his life. (2017)

****

Henry’s Crime-sp  Henry (Keanu Reeves) is sort of a nebish, stumbling through life as a toll collector on what seemed to be the New York State Thruway,  in a a loveless marriage to Debbie ( Judy Greer). He just seems to have no purpose in life.  Through no fault of his own, he ends up in jail for a crime he really didn’t commit and serves a year in the clinker. He meets Max  (James Caan) an old timer who was once a con or  “confidence” guy who isn’t even sure he wants out on parole even if he could. Henry’s life is about to change after Julie (Vera Farmiga in a great spirited performance) an actress rehearsing for a play in Buffalo runs into him in a chance meeting. Shortly before this meeting Henry has found a goal in life as nefarious as it might be. There is a play within the movie and a Chekhov play at that, which is driven by love, emotion and suspense. At the same time the life of the characters are filled with suspense, drama, passion and the fun of a heist movie plot. Director Malcolm Venville in his second feature film and American debut, seamlessly moves back and forth between these two dimensions  building to a great movie climax in which we heard out loud reactions from the  audience watching the play within the movie  as well as from our audience viewing this screening. Our reaction was very positive and we recommend that this movie not be missed. (2011)