*****

Bohemian Rhapsody-rm

If you or your children were following the contemporary music scene in the 1970s and the 1980s, you had to be familiar with the sound of Queen and must have rocked or swayed to “We Will Rock You”. However, you may not know all the details and the ins and outs behind the scenes of this band especially the story of lead singer, Freddie Mercury.

We also suspect that the making of this film must be a fascinating story in and of itself. Originally, Sacha Baron Cohen was scheduled to play Freddie Mercury, but after he dropped out, Rami Malek was given the part. The original director, Bryan Singer apparently only completed two-thirds of the film before he was replaced by Dexter Fletcher after various conflicts which we don’t understand.

These issues aside, there is no question that Rami Malek was terrific in the lead role. He was given a dental prosthesis which gave him a physical appearance closely resembling the real Freddie Mercury. He also took singing and piano lessons as well as having an accent coach. As indicated in the final credits, a very large technical staff was able to synchronize the actual singing of Mercury,Queen and their music to the actors’ performances which had to be quite an accomplishment. The other band members were played by Ben Hardy, Joe Mazello, Gwilym Lee and Brian May. According to the photos and film clips shown of the real band members at the end of the film, the appearance of the actors were dead ringers for the real band members.

However, the success and brilliance of this movie aside from the projection of the original music was a telling of the sensitive and complicated story of Freddie Mercury. Born to Pakistani parents, he had the confidence in his music ability to become the lead singer in the band which he joined as a young man and led them to their meteoric rise. Of course, there were conflicts with managers, record companies and among themselves. However, the biggest conflict was the turmoil within Mercury himself. Engaged to his beautiful girlfriend, Mary Austin (Lucy Boynton), he reluctantly had to confront the fact that he was gay (and of course this is in the age of AIDS).

The film concludes with the focus on the famous 1985 Live Aid concert for famine relief in Africa. All of the top singers in the world were there and many people felt that Queen stole the show. Their performance was recreated in a magnificent cinematic accomplishment. The actual Live Aid concert raised $125 million in famine relief for Africa. Incidentally thus far (prior to the Oscars in which this movie is likely to be a contender) this film has grossed $743 million which is five times more than the money raised in the 1985 Live Aid concert.(2019)

Please consider leaving your comments below 

 *** Anchorman 2 : The Legend Continues –rm  Nobody should be surprised by this movie. Either you have seen the first version of Anchorman or you have seen the massive publicity and the trailers about this movie. If you haven’t, feel free to take a moment and watch one of them which has a good many of the film’s “funny” lines and bits: www.youtube.com/watch?v=Elczv0ghqw0‎ The jokes are juvenile, slapstick with a lot of screaming along with racial, antigay, sexist jokes and even makes fun of people who are blind. Of course the characters are also making fun of themselves and they will make you gasp and /or laugh, sometimes. Adam McKay, who co-wrote it with Will Ferrell, directs it. MacKay also co-wrote the first Anchorman. The movie opens with Ron Burgundy (Will Farrell) being fired by the retiring veteran anchorman (Harrison Ford) who at the same time names his own replacement to be Ron’s co-anchor and wife (Christine Applegate). A new 24-hour/day-television news station subsequently hires Ron and he rounds up some of his previous colleagues from the old days who are played by Steve Carell, Paul Rudd and David Koechner. They have lots of interactions with the television station people especially one tough, sexy boss played by Linda Jackson. The storyline is thin, disjointed and flows in order to allow the jokes and comic routines. There are bit to middling roles by Kristen Wiig, Sacha Baron Cohen, Steve Coulter, Kanye West, Tina Fey, Greg Kinnear, Liam Neeson and Amy Poehler to name a few. They really don’t change the level of the comedy, which comes mainly from Ferrell. With so many great films out at this time of the season, if you don’t see a large number, we don’t know why you would choose this one. But on the other hand, we realize that there are a lot of folks who go for this type of comedy so after some discussion we decided that it might fit our criteria for three stars. (2013) 

*****

Les Miserables sp

During the first few minutes of this epic film we were somewhat uncomfortable in that there was almost no talking and it was all singing. Of course this is based on the well known musical show by the same name  but we just were not used to the constant singing of just about every piece of dialogue. Well, for the next two and half hours, we not only were comfortable with this style, but were completely caught up with the story, characters, drama and especially the emotion  which was fueled by the wonderful music. Tom Hooper was chosen to direct this adaptation of  this well known  theatrical musical classic to the screen shortly after he won an Academy Award for The Kings Speech . He had a team of writers and producers who had worked on the original show in both London and on Broadway. In fact the original actor who played Jean Valjean, the thief who turns his life around, more than 25 years ago, Colin Wilkerson, played  a smaller role in this movie as a Bishop ( we are sure as a tribute to the great history of this production.} Hugh Jackman carried this role in the modern film and was in fine voice and in character, as was Russell Crowe as Javert, the inspector who is mostly shown as the villain. Ann Hathway played Fantine a tragic heroine, a role originally played by her mother on the stage  many years previously. She poured her heart into her major song which was an acting and singing triumph. Amanda Seyfried was excellent as Cossette as was Eddie Redmayne who played Marius the object of her love and  one of the young heros. Helena Bonham Carter and Sacha Baron Cohen provided some comic relief but also demonstrated that they could sing.  Interestingly, Hooper did full continuous takes of all the singing and did not have the performers mouthing to their previously perfectly recorded  renditions of the songs. This is quite an unusual approach in a musical but it appeared to work quite well allowing many close ups of the actors during these pieces. There were also some great long views of the Paris setting and the barricades which were manned for action.  The setting of the story is 1832 in Paris, post French Revolution but at the time of an  uprising known as the June Rebellion. This is really a morality play which shows how some people have a deep sense of fairness and justice and how one will not forget what has happened in the past . It is also a great love story. Finally it is a story about death. We are reminded what it means to die for the causes which you believe in and also the sadness when a parent has to die and say goodbye to the next generation. When you deal with such themes with characters you have come to know, add poignant and at times powerful music, you end up with a truly emotional experience and a great movie.  (2012)

****

Hugo –rm   _ The movie open with a beautiful scene of Paris with snow flakes falling. The 3D effect is fantastic. It actually almost feels as if the snow is falling on the audience. This is followed by a breathtaking run through the railroad station taking full advantage of the three dimensional technique that is being used. However, by the end of the film we concluded that we could have done without the 3D effect and the movie would have been just as good and the glasses were a tad uncomfortable anyway. This film has all the ingredients of a successful movie. First of all it has Martin Scorsese fully behind it as director and a producer. It is a movie about movies which almost always is an attraction to movie goers (and critics and award givers). It has appealing child actors (Asa Butterfield and Chloe Grace Moretz) and a delightful grandfather figure played by Ben Kinglsey. It also has Sacha Baron Cohen as the railway policeman who is the scary threat on one hand but a humorous injured soul on the other. Oh yes, there is also a dog – a big tough mean  dog but any dog always seems to push up the positive rating  meter especially for young people. There are moving moments when a young boy’s father dies and he is searching for a bond with his lost Dad. He meets a grandfather figure who can’t think about his own lost glorious past because it is too painful to contemplate.  There is clash, suspense, action, resolution and a grand finale. While this certainly is a children’s movie probably for nine and ten year olds and older, it is also made for us adults who are not only young at heart but always want to learn a little history.  The book by Brian Selznick and the screen play by John Logan is telling us the story of Georges Meilies who was a French illusionist and filmmaker who became very famous for many special techniques which he developed during the early days of  cinema. He suffered a decline and tragic losses and was alienated from his earlier great successes. He ultimately became recognized and revered once again in his senior years. The real story of how this came about was not the fairy tale story, which is depicted in this movie, which is quite delightful and resonates with all our fantasies and sentimentality. The bonus treat here is that we  also see lots or real footage of classic French movie clips, many by the real Georges Meilies. So when we toss our 3D glasses in the bin on the way out – the memory and the good feeling of the movie will stay with us. (2011)