***

Greed

The title says it all. Richard McCreadie (Steve Coogan) is a billionaire businessman who knows how to take advantage and squeeze every dollar (or pound) out of any business negotiation. He certainly has the upper hand when he is bargaining with women clothing makers in the third world countries who were making clothes for well-known (and often expensive) brands selling in the United States and throughout the world. The contrast between the opulent lifestyle of this rich businessman and especially the poor women who sometimes work for just a few dollars a day becomes highlighted during the plans for a birthday celebration for Sir Richard on a Greek Island. Writer, director Michael Winterbottom clearly knew the point that he wanted to make in this film and the dramatic conclusion certainly made it in spades.(2020)

****

Philomena -  Early in the film we learn that Martin Sixsmith  (Steven Coogan), a former journalist, has lost his job as a Labor government (British) advisor and decided to meet Philomena ( Judy Dench) an elderly woman who as a teenager had an out of wedlock child at a convent and saw that child taken away for adoption. In her later years she unsuccessfully tried to find out what happened to him and never stopped thinking about him even after she became a mother and grandmother. She agrees to let Sixsmith help her try to find her, long lost but never forgotten, son and write a human interest story about this situation.  

The film is based on a non-fiction book The Lost Child of Philomena Lee by the real Sixsmith which documents the journey of this unlikely pair. This movie about this human trauma was directed by Stephen Frears with a screenplay by lead actor Coogan and Jeff Pope. It takes a hard look at the attitude of the Catholic Church towards unwed mothers (at least in Ireland 50 years ago but which may not have completely changed today.) It pulls no punches in showing the cruel treatment of the unwed mothers who had to work in oppressive conditions  for a few years in return for having had their  child delivered and cared for by the nuns in the convent, only to see their little one sold to rich Americans who were looking to adopt a child. The details of the destiny of the children were hidden from the mothers and attempts to later trace them were covered up with lies and deception. There is an attempt at some balance by showing the contrasting lack of religious faith by the journalist compared to the almost all forgiving faith of Philomena but in the end the Church does not look very good.

The movie also reminds us of the painful discrimination towards people with HIV disease which existed in the United States, especially in the 1980s. Both Coogan and Dench are excellent as they convey their subtle emotions and the grand lady of theatre and film may be up for another of her many awards. The storyline of this film also deals with a psychological topic that one of us (MB) has been interested in from a clinical point of view as well as how it has been depicted in various movies. Lost or hidden family members is the subject and the incessant drive to find that person where the emotional connection is intensely built on the biological connection even  when the life experience together has been very little or even absent. Some of the recent movies which we have reviewed on this subject have been The Kids Are All Right,  People Like Us, Stories We Tell, Admissions   and Mother and Child. MB has also written about this with case examples in a blog titled PsychiatryTalk.com  which you can click here to view. This very fine film is not only another example of this phenomena but also stands on it’s own as a compelling dramatic production, (2013)