The Edge of Seventeen
****
On The Edge Of Seventeen-sp
This film is very effective as it smoothly slides the viewer into the mind of a 17-year-old high school girl. We appreciate her desire for friends, perhaps being sensitized by some childhood experiences of being bullied. Then there were other potential conflictual events that can happen in any teenager’s life in high school. But as much as the audience was getting a feel of this life stage and perhaps being reminded of their own individual experiences, this movie inevitably became the story of this one girl, Nadine (Hailee Steinfeld), and how she had to deal growing up with a “perfect†older brother (Blake Jenner) and a far from perfect mother (Kyra Sedgwick) as well as all the events that transpired during her 17 years of life. As any therapist can tell you, there is no truly typical teenage girl. We are all a function of our family dynamics and subsequent conflicts and fantasies. We all emerge from this life stage with varying degrees of subsequent mental stability which will then influence the next generation. Sometimes an experience in therapy will help unravel the painful missteps and unpredictable events that occur as we attempt to navigate this life stage.
Miss Steinfeld, who turned in an outstanding performance, is certainly already a rising star. She received great recognition at age 14 when she was nominated for an Academy Award for her supporting role in True Grit and has made starring appearances in many subsequent films. Woody Harrelson was also excellent in this film as the thoughtful, sensitive high school teacher and Haley Lu Richardson did a great job as Krista, the girlfriend. Screenwriter and director, Kelly Fremon Craig has given us a great story and done a very good job presenting it. The photography in this movie was magnificent. While you might not pay close attention to the music during the film, there was a constant flow of it in the background influencing our unconscious. The overall experience of this movie was a powerful and enjoyable one. (2016)