Death in Venice nf
***

This 1971 movie, which is more than two hours long, is based on a 1930 novella by Thomas Mann and is filled with classical music by Mahler, Beethoven, Mussorgsky, and Gill. The director and co-screenwriter was Luchino Visconti.

The main character is a composer Gustav von Aschenbach (Dirk Bogarde), who travels to Venice by himself for a vacation and rest due to health concerns. It is interesting to note that the city was then experiencing a pandemic due to cholera. Aschenbach becomes obsessed and attracted to an adolescent boy named Tadzio who is staying with his family at the same hotel. Most if not the entire film shows the struggle of this older man with his feelings of attraction towards Tadzio, although they never interact. The facial expressions of the main character and the strong musical background define this film leading to the ultimate fatal ending.

While the scenes are beautifully shot and it feels as though you are watching paintings on the screen, the film doesn’t really engage the viewer. The dearth of dialogue and the overall ambiguity is off putting and somewhat unsatisfying. While a unique film, it doesn’t seem worth the time for most people.

****

Me, Earl and the Dying Girl – rm

High school senior, Greg (Thomas Mann), is asked by his mom (Connie Britton) to be friendly with a girl, who is a classmate, and has just been diagnosed with leukemia. There are probably many ways that this opening gambit might be handled. The success of this film, directed by Alfonso Gomez-Rejon, with a screenplay and novel by Jesse Andrews which won the Grand Jury Prize and the Audience Award at the 2015 Sundance Film Festival, is how the personality of this young man is developed for the audience. He is presented as a guy who didn’t get very involved with other students and their complicated relationships. He hangs mostly with his buddy, Earl (R.J. Cyler), and they made parodies of movies based on the titles of well-known films, which they don’t show to anyone. Despite some very interesting reassurances by the plot, the audience is drawn along into this heart-wrenching plot. This tender story provides a window into the minds of these teenagers, which include the girl with leukemia, Rachel (Olivia Cooke). This is a very thoughtful screenplay which not only touches the audiences’ emotions but through these young people it teaches us about life and death. The musical score by Brian Eno and Nico Muhly plays a very important role in achieving the effect of this excellent film. (2015)