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The Deep Blue Sea- rm-  This movie is set in about the 1950s in post World War II London. It focuses on the troubled personality of Hester Collyer   (magnificently nuanced performance by Rachel Weisz) who is unhappily married to a much older but caring British judge, Sir William Collyer (Simon Russel). After a chance meeting with Freddie Page, dashing former RAF pilot, (Tom Hiddleston) Hester moves out of her passionless, childless marriage to live with this new lover. She soon realizes that between his drinking and his self-centeredness, he has very little to offer her. On the other hand it becomes clear that she is obsessed with her neediness and passion for him. She is caught between a marriage that doesn’t work for her and an attraction and dependency that is equally doomed. This would seem to leave her with tremendous emptiness and a tumble towards a suicidal despair, which is emotionally enhanced by Barbe’s Concerto for Violin and Orchestra op 14.  The story is based on a play by Terrence Rattigan and is written and directed by Terrence Davies who uses various flashbacks to try to fill in the back-story. Any student of a psychological drama such as this one yearns to know the determinants of this troubled character. We are only told that her father was a Church Vicar who was quite demanding of her. We are also shown that she was a young woman of wartime London and all the insecurities that must have brought to her.  One poignant scene in the subway during a bombing attack during the war and another of children playing in the rubble give us hints of what may have added up to her tremendous neediness and the fleeting attraction to this war hero. Even if all our intellectual understanding of this character were not fully satisfied, Rachel Weisz conveyed the emotional substance with which we could identify and by which we could be moved. (2012)

****

War Horse sp –  Steven Spielberg, producer and director along with  his team may have made another classic film. The movie is based on a book by Michael Morpurgo  as well as Broadway show that had puppets for the horses. The screen play is by Lee Hall and Richard Curtis. The film has very well done elements, a music score by John Williams, photography by Janusz Kaminski and features Emily Watson, David Thewlis, Peter Mullan and Tom Hiddleston and what appeared to be a cast of thousands. The storyline  deals   with the universal appeal of the love of an animal, father-son relationship, accomplishing something against almost impossible odds, the fascination with epic war scenes, breathtaking scenery with magnificent colors and much more. The problem with this 146 minute  film is that is that it seems that Spielberg and the writers  couldn’t decide if this were to be a young person’s movie where you fall in love with the horse , root for it, cry with it and identify with the young people who befriend this lovely creature. Or is it really an adult movie which gives us the best and most realisitic  depiction of World War I  trench warfare and the battle scenes since , All Is Quiet on the Western Front ? It obviously is a combination of both which probably made it a little difficult for us to get completely lost in it since we weren’t sure if it was our child self or adult self that was into the film. At the point where we might think that it would a great film for our 10 year old granddaughter ( it is PG-13 however) , the story progresses where we are watching a fairly violent massive battle scene although no blood  is really shown. And just as we were getting into the realism of World War I we realize the German soldiers are speaking English with a German accent. ( German with subtitles may have been more realistic a la  Tarrentino’s Inglorious Basterds) . We recall reading stories where during World War I, opposing sides on Christmas Day or other occasions would emerge from their trenches and socialize and then return to their respective sides and continue to try to wipe each other out. This spirit was captured so well in the highlight of the film where two soldiers from opposites sides of the battle line meet midway between their trenches because they care about a horse. No doubt the appeal of this film will be to people from both sides of the age divide and should be enjoyed by most of them.(2011)