*****

Lady Bird-sp

This film has nothing to with LBJ’s wife and the movie previously reviewed. It does have a great deal to do with the accomplished actress and writer 33-year-old Greta Gerwig (Francis Ha, Greenberg and many other films) who is making her directorial debut in this film for which she is also the screenwriter. It appears that Ms. Gerwig has drawn upon her experience growing up in Sacramento, California and having attended a Catholic High School around the year 2002. We won’t speculate how much of the rest of the film is autobiographical nor is it important. However, this talented writer/ director has captured the painful and glorious experience of a high school girl coming of age. This young woman Christine McPherson (Saoirse Ronan) tries to break through what is expected of her and finds and shows her individuality. Ms. Saoirse is near perfect in realistically bringing this character alive with the words and direction of Ms. Gerwig. There is equally well-written character portrayed in an outstanding performance by Laurie Metcalf as Lady Bird’s mother who is a nurse (as was Ms. Gerwig’s mother). The friction and interaction between mother and daughter will be familiar to many. The father is sensitively played by actor-play writer Tracy Letts.

One major conflict that is played out very well and may reverberate with many viewers is Lady Bird’s desire to go to an expensive East Coast College with a plan that is rejected by her mother. Will she be accepted and will her parents support this dream? This conflict along with typical ups and downs of friendships among girls and the problems of negotiating her own sexuality and her relationship with boys are universal and will reverberate with the audience. In the end, we believe this film will stand out and be well-remembered. (2017)

***

Indignation-sp

When we think of Philip Roth whose book this movie was based upon, we think of Jewishness, some kind of sex and guilt as vividly described in Roth’s best-selling book Portnoy’s Complaint and many other of his books. Sure enough these were the main ingredients of this film directed by James Schamus who also wrote the screenplay.

Marcus (Logan Lerman), a young man from New Jersey (as was Roth) is going away to a midsized college in Ohio (Roth went to Bucknell in Pennsylvania) in the 1950s as the Korean War was getting started. At the school, women have to be back in their dormitory at 9:00 p.m., Jewish students can belong to all Jewish fraternities and there are a certain number of required attendances which are expected at the weekly chapel services. Marcus, the main character, is Jewish and an atheist, a non-frat type of a guy with no real experience with the opposite sex. The story is vintage Roth and the audience where we saw the film seemed to be of an age which grew up reading Philip Roth as we did.

Marcus, who is inflamed with his ideals, neurotic as they may be and saddled with his hang-ups, grabs our attention as he encounters the authoritative Dean of students (Tracy Letts). The movie allows us to really get inside this young man’s head and feel his pain. It also is a period piece which recalls campus life in the 1950s at a time that our country was once again at war.

One major deficit of the movie is that we do not very well understand the young woman Olivia Hutton, (Sarah Gadon) who Marcus encounters at college. She obviously has some severe emotional conflicts but there is not enough expression of them or back story to satisfy the mental health professional part of us and therefore, much of this important character comes across as quite shallow. This takes away from the overall storyline and the experience of the movie. (2016)

*****

August: Osage County sp– Meryl Streep has done it again as she turns in what has to be a sure thing for another Oscar nomination as best actress and we wouldn’t be surprised if Julia Roberts snags one for her supporting role. These two are part of the  most dysfunctional family configurations that you can imagine as they gather in the matriarch’s (Meryl Streep) house after the patriarch(Sam Shepherd) has just killed himself. The setting is bleak but beautiful (if that is possible) Osage County in Oklahoma. The three daughters who come home, are played by Julia Roberts, Juliette Lewis and Julianne Nicholson. A husband and  boyfriend are played by Ewan McGregor and Dermot Mulroney. Margo Martindale is great as the almost equally mean sister of Steep’s character and her grown son is inhabited by none other than Benedict Cumberbatch. Her husband is wonderfully acted by Chris Cooper. The Director is John Wells who is best known for his television work on ER, West Wing, Shameless, Southland and many other shows. He certainly found the right touch to work with this all star cast as the interaction which develops over the post funeral dinner is spellbinding as are the subplots with the various family members. The screenplay is written by Tracy Letts who originally wrote it as a highly successful  Broadway play which won the 2008 Pulitzer Prize for Drama. Wells, in a post screening discussion, stated that he hoped the audience will find a little of their own families in this depiction which we believe is a stretch as much of the family interrelationships were horrendous although fascinating. Streep’s character is anyone’s worst nightmare as a shrew, cruel insensitive pill popping mother about whom we can only gain insight and understanding when we hear her talk about her own mother. Is it ever possible to get away from such a bad piece of luck as to be born into this family? In one sense the movie is a study of how family members might be able to escape from such a toxic environment. We can only imagine how this witch-like matriarch might feel if she is finally abandoned and left alone with her native American housekeeper (perfectly played by Misty Upham). (2013)