**

The Hero – sp

Sam Elliot is a captivating actor, tall, rugged with an unbelievable resonant voice. He plays such a character in this film which was specifically written for him by Brett Haley who is the director and screenwriter. Mr. Elliot even admits that the actor he plays in the film is somewhat like his real self, but the plot is fortunately not his story.

Lee Hayden (Elliot) is an over the hill actor in his early 70’s, long time divorced and estranged from his daughter Lucy (Krysten Ritter). He once starred in a very successful cowboy film but now does mostly voice-overs. He also has a newly discovered challenging health problem at the same time he has met Charlotte, a young woman (Laura Prepon), and they share a mutual attraction to each other. Did we say young woman? She is actually in her 30’s. almost a 40 year difference. Our hero has to try to figure out this relationship while facing his own mortality and trying to make peace with his daughter. At the same time, he may have the opportunity for a great part in a new movie.

The problem with this situation and the problem with this movie is as far as we’re concerned is that we really don’t understand these characters. We don’t know the real backstory on this young woman who is attracted to this older man nor do we understand why our hero got divorced from his wife (who by the way is played by Katherine Ross, Mr. Elliot’s real life wife).

In a post-film interview with Mr. Elliot, we learned a little bit about how he has approached his own career and didn’t try to play characters that he couldn’t relate to. However, this movie we believe didn’t offer much insight into the personality of the main character and his issues. We give kudos to Mr. Elliot as a compelling actor, but we can’t recommend this film (2017)

**

The Wedding Plan – sp

This is an Israeli film (a comedy of sorts) written and directed by Rama Burshtein who is an Orthodox Hasidic woman. This is her second feature film and both have dealt with the subject of marriage.

In this current movie, Michal (Noa Kooler) is a young Orthodox Hasidic woman who despite the attempts of matchmakers has not been able to achieve her goal of finding a husband. In fact, she thought she was getting close and was planning her wedding when her boyfriend Gidi (Erez Drigues) told her that he really didn’t love her. This didn’t make her call off her hope to get married, in fact she told Shimi, the guy who runs the wedding hall that he should reserve the eighth day of Hanukkah as the date that she would be getting married (this is the day the miracle of Hanukkah took place where the Maccabees had run out of oil for their lamp in the synagogue but the small amount left burned for eight days) even though she didn’t have anyone to marry yet. She was putting her faith in God that in the next couple of weeks, she would find her husband-to-be. That of course was putting a lot of pressure on the matchmaker, her family and herself. She even goes on to meet Yos, a rock star (Oz Zehavi) in a holy shrine but it didn’t look that she was going to take him or anyone else to the Chuppa on the day that is set for her wedding. Her strong faith and even the faith of her mother (Irit Shelleg) and her best friend Feggie (Ronny Merhavi) that things are going to work out was very touching but truthfully, that is where the theme of the movie becomes challenging to us to say the least. It becomes difficult to identify with this very appealing and likable protagonist as well as her entourage of family and devoted girlfriends.

On one hand, we sensed that this is presented as a comedy with everything somewhat exaggerated. On the other hand, we understand that we are being given an insight into a culture and religious sect where love and marriage are very sacred, but the former probably is supposed to develop after the later. (First marriage, then love) We were not touched by the movie and in fact found the premise of the plot unbelievable. That would make the film somewhat unsuccessful in our eyes because after all, it wasn’t that funny to be a great comedy. However, if we view the story as not so much a comedy, but rather an exposition of the optimism and faith of this religious group that we occasionally encounter but don’t really understand, then perhaps the film is somewhat of a success on another level but not enough for us to recommend it.

The movie opens not only in Israel, New York and Los Angeles but all over the world and it will be interesting to see how it is received. (2017)

***

Beyond the Lights – nf

We all know the story of a celebrity going from rags to riches. A child from a poor family blossoms forth with his or her inherent talent and becomes a superstar. Every generation has witnessed this phenomenon. In the days of radio, there was the Amateur Hour. Television brought us America’s Got Talent and many other programs. Some people become worldwide internet and YouTube stars. There are record contracts, world concert tours, etc. Sometimes this trip leads to drugs, overdoses, unhappiness and occasionally even suicide. If that person gets lost in their meteoric rise to the top, can the essence of that person ever reemerge?

This movie shows us a fictional story of a young woman (Gugu Mbatha-Raw) who, thanks to her talent and a ferocious super mom (Minnie Driver) who only sees stardom for her daughter, is quickly achieving fame and fortune. However, this rising star soon finds herself feeling that life is not worthwhile and is about to jump off a hotel balcony while staring into the eyes of young police officer (Nate Parker) who is trying to save her.

The subsequent journey that these two people take is a classical love story, but also a reminder that everyone has to find themselves. We are all not superstars, but there may be a pathway for most people to discover their own passion. It obviously helps and is a nice touch if you fall in love while you are on this journey.

The poignancy and passion of the story is enhanced by the fact that there is some excellent music and singing built into the movie with words and sounds which will stir the emotional undercurrent of this theme. Gina Prince-Bythewood, director and screen writer, deserves kudos for a job well done that will ring a bell in many viewers and touch your heartstrings. (2014)

***

Paris Can Wait – sp

If you are a Francophile, a connoisseur of French wine, appreciate tasty French food, love the beautiful French country side with small historic towns and are touched by French romanticism then this may be the movie for you.

Eleanor Coppola, wife of famed director Francis Ford Coppola, a woman who recently turned 80 and is an accomplished documentary filmmaker herself, undertook her first feature film in the role of producer, writer and director. She based this story on a circuitous trip that she once took from Southern France to Paris with her husband’s male colleague when a combination business and vacation trip in Europe was interrupted by her husband’s business needs.

Mrs. Coppola morphs into Anne Lockwood who was intriguingly played by Diane Lane. Her character is the wife of Director Michael Lockwood who was played perfectly by Alec Baldwin who has to fly away on a business trip with plans to meet up with his wife in Paris. Coincidently, his colleague, a Frenchman by the name of Jacques Clement (played by a relatively unknown French actor, Arnaud Viard) offers to drive the director’s wife from Southern France to Paris since she has a minor ear infection and really should not fly.

What follows is a most subtle blend of scrumptious food, velvety deep red wine, magnificent scenery of lakes and mountains, attractive middle-aged people who the more you know about them, the more you are drawn to them as you see them drawn to each other. This is not a hot R-rated movie. Perhaps the sexuality, which is in the mind of the beholder, or in this case, in the viewer, is therefore all the more powerful.

Although only a little bit more than one and a half hours, some might find this film a little drawn out, probably depending on how much you appreciate the previously stated elements of the movie. The best part of this movie treat is that what you bring to the table will determine how well you will digest and remember this cinematic experience. (2017)

**

The Circle – sp

We see on news programs accusations that politicians sometimes are not very honest. There are reports that there are deals being done behind everyone’s back which are not in the best interest of the constituents who elected them. So imagine if it were possible for a politician to decide to “go transparent” where he or she would wear a special camera 24 hours a day that would record just about everything that went on in his or her life (with some very personal exceptions) which would be accessible to everyone on the Internet who wanted to view it. In fact, imagine where other people could decide to “go transparent” and have every part of their life available to anyone who wanted to see it. Imagine also a corporation which cared so much for its employees that it would offer them world class medical care, not only to all of its employees but to their entire families including their parents. What if everyone was interconnected on the Internet so that a wanted criminal could be quickly tracked down once the details of this person with a picture were put out on the Internet. In fact, any persons’ whereabouts could be tracked down within ten minutes because everyone was so interconnected.

These possibilities and all the implications of them were part of the storyline of the novel The Circle  by Dave Eggers which was brought to the screen by James Ponsoldt who co-wrote the screen play with Mr. Eggers. Mr. Ponsoldt also directed the film and was one of the major producers. He enticed Tom Hanks, two-time Oscar winner to play Eamon Bailey who was one of the founders and leaders of this company. As usual, Mr. Hanks is very believable and somewhat reminiscent of Steve Jobs. Patton Oswalt plays another co-founder Tom Stenton who appeared a little bit more sinister.

The story revolves around Mae Holland (Emma Watson), a young woman who was thrilled to get a job at the Circle (think Google and/or Apple squared in the mathematical sense). We see her evolve from being very excited about getting a great entry job (called a guppy, remember new born teeny tropical fish) to developing into a sophisticated perhaps brainwashed worker who herself wants to go transparent. There are also meaningful supportive roles by Glenne Headly and Bill Paxton who play her parents.

We previously had read the book and liked it very much. As is often the case in such a situation, it is difficult for the movie to live up to an outstanding bpok. We tended to feel that the film was quite disjointed and superficial. The characters were not very well-developed as compared to in the book. Subplots, probably by necessity, were left out. The film served the purpose of providing a cautionary tale as did acclaimed film and book “1984” and telling us what may be in store for us in the future.

If you read the book, the film probably is not worth seeing. If you haven’t read the book, we highly recommend that it be your first choice instead of the movie. (2017)