***

Room-nf

You probably have some idea of the plot of this movie as we did when we decided to view it one evening. A young woman is abducted and held hostage in an 11-foot by 11-foot room with only a skylight facing the real world. Her abductor has the code to the steel locked door. He visits her regularly in order to rape her. After about a year, she becomes pregnant and raises her son, Jack, in this confined space. We meet them when Jack is turning five years old. His television set is his only window on the outside but he doesn’t actually believe what he sees on it is “real”. This raises an interesting thought; do we all really know what is out there in the wide universe beyond our experience on our small planet Earth. For all we know, we have a very narrow perspective on “life”. We don’t think this was the overt theme of this film but it may have stimulated more than meets the eye.

More concretely, the movie takes us through the dramatic freeing of mother and child from their prison. We struggle with Jack and his mother as they attempt to reintegrate from this experience. In this regard, We found it incongruous that a mother who is so close to her child due to these circumstances could contemplate abandoning him. So, the story is one that tries to show the “power of guilt”.

The other power of this movie is the Academy Award-winning experience of Brie Larson as the mother and the amazing performance of the very young man, Jacob Tremblay who plays the child.

Thanks to the direction of Lenny Abrahamson and the novel and screenplay by Emma Donoghue, we are treated to a highly unusual story. Despite the great acting and the unusual plot, we felt that the film was lacking in drama and could have used more depth. We are only given a glimpse on the impact on the young woman’s parents played by Joan Allen and William H. Macy who lost their daughter for seven years ago when she was 17 years old. Overall, this movie could have been done better but it will be memorable to all who see it. (2015).

***

Audrie & Daisy-sp

Every high school student and probably many preteens and their parents/grandparents and close family members should see this documentary film. The husband and wife filmmaking team of Bonnie Cohen and Jon Shenk mainly focuses on the lives of three teenage girls and their families who lived in different parts of the country but had similar experiences. This involves teenagers sending naked pictures through the internet, alcohol, parties, rape, and subsequent humiliations. In the case of one girl there was a fatal outcome. Part of the film is seen through the eyes of two of the boys who carried out the attacks on one girl who was 14 years old at the time and apparently unconscious from drinking.

It would appear that neither the parents of teenagers coming of age nor the teachers, school system, or even the criminal justice system seem adequately prepared to deal with this emerging tragic social phenomenon. It is being fueled by a changing Internet which is best understood by the young people of today some of whom end up hurt and damaged by it. Not only does the Internet provide readily available pornography but it also becomes a vehicle for girls responding to requests from boys for nude pictures of themselves, as a badge of popularity. The result and changes in sexual standards are enhanced by readily available alcohol and marijuana. This film shows caring parents who may have thought they were sophisticated about sexual issues in their children but found out that they were basically clueless.

The majority of people who were experiencing some of the tragic sexual consequences demonstrated in this film would understandably be reluctant to publicly describe their plight. Therefore it is a great accomplishment for the filmmakers that they were able to find some brave young women and their families who were willing to speak up and are motivated to action in order to prevent similar tragedies for others. We also meet the very thoughtful brother of one of the rape victims who not only reflected on how he felt but also what he is motivated to do to address this problem.

We could find some faults with the continuity of the storyline and the abrupt changes and locations. We would have also liked to have seen a better examination of the legal issues which are an important part of the story. However there is enough in this documentary film to be a “game changer” in this crucial issue concerning the destructive use of the Internet in our country. Netflix is now onboard with this film and should greatly facilitate its distribution. It opens up September 23rd in Los Angeles and New York. It should also be available soon for home screen viewing. We also understand that there is a roll-out plan for schools to use it with backup educational material. (2016)

***

Florence Foster Jenkins-sp

Florence Foster Jenkins (Meryl Streep) was a rich woman who thought she could sing opera music well but, in reality, clearly sang poorly and off-key. St. Clair Bayfield (Hugh Grant) was her “husband” who may have originally connected with her because of her money but after 15 years appeared to truly love her and to try to protect her from the outside world that would laugh and ridicule her when she might sing in clubs or when she became a little grandiose by deciding to make a vinyl record of her singing as well as schedule a concert at Carnegie Hall. Hugh Grant is quite believable as the loving but philandering partner. Cosme McMoon (Simon Helberg) was a young pianist who became her accompanist. The setting is New York in the 1940s. Stephen Frears, the director, Nicholas Martin the screenwriter and the brilliance of Ms. Streep have presented Florence Foster Jenkins as a very sympathetic character who lives with a chronic illness of the time, has apparently accepted an arrangement where Bayfield has his own apartment (and his own mistress). She loves music and doesn’t have a clue about her lack of talent.

The artistic accomplishment of Ms. Streep who apparently in real life in addition to being an Academy Award-winning actress is an accomplished singer, is acting as a dreadful singer . This could be another Academy Award-winning experience for her. But the big surprise in this film is the work of Simon Helberg (well-known for his 10 seasons on the TV Show “The Big Bang Theory”). His facial expressions along with his actual accomplished piano playing as the accompanist are a major part of the film presentation. There was no dubbing of the music here; it was all done in live takes with a musical score by veteran music composer Alexandre Desplat. You come away from viewing this movie by scratching your head and saying, “Did this really happen?” The closing credits document that it really did. (2016)

***

Indignation-sp

When we think of Philip Roth whose book this movie was based upon, we think of Jewishness, some kind of sex and guilt as vividly described in Roth’s best-selling book Portnoy’s Complaint and many other of his books. Sure enough these were the main ingredients of this film directed by James Schamus who also wrote the screenplay.

Marcus (Logan Lerman), a young man from New Jersey (as was Roth) is going away to a midsized college in Ohio (Roth went to Bucknell in Pennsylvania) in the 1950s as the Korean War was getting started. At the school, women have to be back in their dormitory at 9:00 p.m., Jewish students can belong to all Jewish fraternities and there are a certain number of required attendances which are expected at the weekly chapel services. Marcus, the main character, is Jewish and an atheist, a non-frat type of a guy with no real experience with the opposite sex. The story is vintage Roth and the audience where we saw the film seemed to be of an age which grew up reading Philip Roth as we did.

Marcus, who is inflamed with his ideals, neurotic as they may be and saddled with his hang-ups, grabs our attention as he encounters the authoritative Dean of students (Tracy Letts). The movie allows us to really get inside this young man’s head and feel his pain. It also is a period piece which recalls campus life in the 1950s at a time that our country was once again at war.

One major deficit of the movie is that we do not very well understand the young woman Olivia Hutton, (Sarah Gadon) who Marcus encounters at college. She obviously has some severe emotional conflicts but there is not enough expression of them or back story to satisfy the mental health professional part of us and therefore, much of this important character comes across as quite shallow. This takes away from the overall storyline and the experience of the movie. (2016)

***

Café Society-rm

This movie is set in the 1930’s, which is more of the generation of Woody Allen’s parents than his own. Yet the film is in the voice of Allen who not only actually narrates the movie but also directed and produced it. The central character, Bob, played so well by Jesse Eisenberg, speaks and acts with Allen’s inflections and mannerisms.

The story opens in the Bronx (Allen’s hometown) and we see Bob is leaving to seek his fortune in Hollywood where his uncle Phil Stern (Steve Carell) is a successful movie agent for the stars and he hopes will give him a job. Stern is seemingly happily married for 25 years but he’s having an affair and falling in love with his very young secretary (Kristin Stewart) who no doubt is half his age (sounds familiar?). Complication of complications, young Bob meets Veronica and there is much chemistry between them.

As is typical for an Allen movie, there is an intriguing plot but also great character development. The action of the film shifts back and forth between Hollywood and New York and we get to know Bob’s family. We meet his mother, as you would expect, his father who is a failed jeweler, his sister and her husband who is a outspoken communist, as well as Bob’s brother who is a gangster who occasionally kills people.

Hollywood and New York of the 1930’s are vividly brought to life with clothes, cars, and people as real and true to life as they could be. The casting is wonderful (by Juliet Taylor as usual) and as would be expected, there is period music throughout the movie.

This may not be Allen’s best film but Allen aficionados will not be disappointed and everyone will be reminded about how wonderful and complicated it can be to fall in love. (2016)

***

Welcome To The Men’s Group-sp

When Bob, Carol, Ted and Alice came out in 1969, it dealt with Encounter Groups which were part of the hip and bit generation, it became a mega hit. The team that just produced Welcome To The Men’s Group, hopes that this film will ride the crest of a growing men’s movement which is as far as we can see is not anywhere a part of the contemporary scene as were the popular Encounter Groups of the 1970’s.

The force behind this movie are the screenwriters, Scott Ben-Yashar and Joseph Culp, with the latter directing the movie. It had to be a real feat to pull together these eight accomplished actors: Phil Abrams, Mackenzie Astin, Timothy Bottoms, David Clennon, Terence Rotolo, Ali Saam, Stephen Tobolowsky and of course, Joseph Culp himself, who is also an important player in the movie. Their interaction was magnificent as the entire film takes place during a three to four-hour encounter session in one location (The actual movie time was 130 minutes – a bit on the long side). The theme that seems to stand out is that you get messed up psychologically if you don’t have good interaction with your father. The group has intense interaction and frank discussions with each other in an attempt to make for the lack of that fathering. We didn’t think the storyline was psychologically strong. There was a particularly intense monologue by Tobolowsky and another one, by Culp. However, the attempt in exploring masculinity seemed to turn into slapstick comedy. This was illustrated by an extended show of male nudity by all the characters which deteriorated into singing and dancing which didn’t seem to resonate psychologically or emotionally with us (But it could have been just us).

The entire cast who we met at our screening seems dedicated to the concept of this movie and are working to promote it. They will be working with the Men’s Group Movement in trying to use social media to connect with potential viewers of the film who are empathic to the Men’s Group concepts. They also have some thoughts about bringing the story to the stage and perhaps spinning it into a TV series. Stay tuned. (2016)

***

Money Monster-rm

George Clooney and Julia Roberts are a combination that usually would be a must see movie for us. We weren’t disappointed this time but the plot is a stretch to make this a great movie.

A disgruntled young man (Jack O’Connell) is quite upset that he lost his $60,000 listening to the advice of TV money guru, Lee Gates (George Clooney). He breaks on to the TV set and puts the money man into a bomb jacket with his thumb on the detonator. Patty Fenn (Julia Roberts) is the TV director behind the scenes talking into the earpiece in Gates’ ear. The plot involves a company led by a shady CEO by the name of Walt Camby (Dominic West) who claims it was a computer glitch that caused his company to lose $800,000. All of this is taking place “on air” with the New York City Police responding to this dramatic event. This theme could have ripped from the current headlines. After all, one of the presidential contenders is warning us about the unsavory deals of all the Wall Street guys.

Director Jodie Foster is pulling the strings behind this movie and does a pretty good job. She may have missed one detail as one of us thought that the Dow Jones average shown on the screen that was at the bottom of the TV screen as the action was taking place on camera never changed, so that must have been a slip up.

In the end, we are left with the idea that the financial markets are subject to the behind-the-scenes activities of unsavory people, and you better be careful listening to them. That probably is a bad rap about most of them (at least we hope so). (2016)

***

Presenting Princess Shaw-sp

The appeal of this documentary film is that it introduced the viewer to a phenomenon that many of us did not fully appreciate is happening on the Internet. Samantha Montgomery is a black woman probably in her late 20’s or early 30’s who works as an aide in a nursing home in New Orleans. We learned later in the film that she had an unhappy childhood and that she was sexually abused by her mother’s boyfriend despite her protests to her mother. As she got older, she had few emotional supports and became one of many people who reported her daily life activities on the internet. She also likes to make up songs and sing her latest creations acapella. She had aspirations to become recognized as a singer and would sing at open microphone nights in local clubs, frequently with just a few patrons in the audience. One time she went to an audition with hundreds of other aspiring singers to try out for the famous TV show “The Voice” but never made it to the stage to be seen by the judges.

Film director Ido Haar and film producer Liran Atzmor had the idea to do a documentary film about the phenomena of people singing their own songs on the internet. They contacted Ms. Montgomery who used the stage name on the internet as Princess Shaw, as one of many who might be the subject of their film. However, the film producers apparently learned something very interesting that Princess Shaw did not know and made the documentary duo decide to focus only on her.

Unbeknownst to Princess Shaw an Israeli music producer by the name of Ophir Kutiel who is known as Kutiman was downloading her singing on Youtube and was inviting Youtube musicians around the world to arrange various musical accompaniments to the singing that Princess Shaw was putting out on her Youtube channel. Through skillful editing, Kutiman used the talents of several musicians who never knew each other or sat in the same room to put together a terrific arrangement of Princess Shaw singing a haunting song titled Give It Up. The documentary filmmaker, who was following her around with one hand held camera was able to capture the tearful surprise and emotion when she first heard the professional arrangement with the various musicians from around the world. Soon this song had over one million hits on the internet. Princess Shaw was then invited to come to Israel to meet Kutiman and appear in a concert in a very large venue. She now has a record contract and travels around the United States promoting this documentary film where we met her in a screening of this movie which opens in Los Angeles and other major cities at the end of May.

So there you have it, a unique story of our modern times. The documentary film is an amalgam of Youtube clips and handheld videos as the main subject was attentively followed around in her various activities. It was an interesting idea for a documentary film and we are glad that we saw it. For a sample of Kutiman’s production of Princess Shaw singing Give it Up on YouTube with musicians from around the world that now has over 2 ½ million hits, click here (2016).

 

***

   Marcia Nasatir

A Classy Broad -sp

It is ironic that this documentary film about one of the pioneer film producers who often was the key person in getting a film green-lighted has just been completed and is now looking for distribution. Marcia Nasatir, who is about to turn 90 years of age is the subject of this movie. She was the first female vice president of production of a major movie studio (United Artists). The director producer of “A Classy Broad” is Anne Goursaud, an accomplished film editor who is hoping that this movie will be her breakthrough film. It is is all about inside Hollywood.

Ms. Nasatir, the centerpiece of this documentary, is well-known, well-liked, and well respected by many legendary movie insiders some of whom appear in this film. Prominent among this group was Mike Medavoy, former Chairman of Tristar and United Artists, and co-founder of Orion Pictures. Others include screenwriters and directors such as Lawrence Kasdan, Tony Bill, Lucy Fisher, Rob Cohen, Robert Towne and the late Lorenzo Semple, Jr. We also hear numerous stories about Ms. Nasatir’s role in many successful movies, such as One Flew Over the Cuckoo’s Nest, The Sting, Hamburger Hill, Coming Home, Rocky The Big Chill and many others. Also appearing in the documentary is actress Glenn Close, who is one of the stars of The Big Chill. Ms. Nasatir’s career was “rocky” itself as she was sometimes passed over for promotion, no doubt because women were not just moved into these leadership positions in the film industry during the 1970s and ‘80s.

If there is anything lacking in this movie, it would be not having more of the personal life of Ms. Nasatir. We know very little about her childhood, education, marriage, divorce and her two children. While these details all might make the type of a story that Ms. Nasatir might look for in an interesting feature film, they are certainly not necessary or essential to appreciate this documentary film about this “Classy Broad” and her very successful career in the movie business. (2016)

 ***

Tangerine- nf

The force behind this micro financed independent film is the young accomplished director, Sean Baker who co-wrote the screenplay with Chris Bergoch. They took on the task of providing a window on the difficult struggling lives of transgender prostitutes who live and work at night on the streets of Hollywood, centered on Santa Monica Boulevard and Highland Avenue in Los Angeles.

The transgender stars of this movie are two talented actresses who are working in their first big film. Kitana Kiki Rodriguez played Sin-Dee (Cinderella) a very fast talking hooker who has just been released from a 30-day stint in jail and Mya Taylor who is her friend Alexandra. In this lead role the later actress not only showed her acting talent but also performed quite well as a singer.

The story lines provides insight into the character’s lives, relationships and despair and also brings in the Armenian family of a taxi driver who is one of the customers. This sub plot introduces several talented actors and actresses, some of who are very well known in Armenian. (By coincidence there is another movie that came out early last year called Tangerines (with an s- click to see our review)completely unrelated to this story but is about nearby Estonia). Mr. Baker’s film is experienced as very authentic whether it is the two transgender friends, the other people of the street or the Armenian family that spoke their language with English subtitles on the screen.

A very interesting aspect of this movie is that it is filmed totally with iPhones, which had special adapters on them. This method was chosen because of the low budget available, but it also allowed the professional film crew led by cinematographer, Radium Cheung to work on the streets of Los Angeles without arousing too much commotion by bystanders. It also appears to give the film an appropriate realistic vibe. This movie adds up to be to be a well done engrossing story that we recommend that you see. (2015)