You probably have some idea of the plot of this movie as we did when we decided to view it one evening. A young woman is abducted and held hostage in an 11-foot by 11-foot room with only a skylight facing the real world. Her abductor has the code to the steel locked door. He visits her regularly in order to rape her. After about a year, she becomes pregnant and raises her son, Jack, in this confined space. We meet them when Jack is turning five years old. His television set is his only window on the outside but he doesn’t actually believe what he sees on it is “real”. This raises an interesting thought; do we all really know what is out there in the wide universe beyond our experience on our small planet Earth. For all we know, we have a very narrow perspective on “life”. We don’t think this was the overt theme of this film but it may have stimulated more than meets the eye.
More concretely, the movie takes us through the dramatic freeing of mother and child from their prison. We struggle with Jack and his mother as they attempt to reintegrate from this experience. In this regard, We found it incongruous that a mother who is so close to her child due to these circumstances could contemplate abandoning him. So, the story is one that tries to show the “power of guilt”.
The other power of this movie is the Academy Award-winning experience of Brie Larson as the mother and the amazing performance of the very young man, Jacob Tremblay who plays the child.
Thanks to the direction of Lenny Abrahamson and the novel and screenplay by Emma Donoghue, we are treated to a highly unusual story. Despite the great acting and the unusual plot, we felt that the film was lacking in drama and could have used more depth. We are only given a glimpse on the impact on the young woman’s parents played by Joan Allen and William H. Macy who lost their daughter for seven years ago when she was 17 years old. Overall, this movie could have been done better but it will be memorable to all who see it. (2015).