*****

Adam’s Rib- nf.  Every once and awhile we like to go back and view a well acclaimed classic film. We do it for enjoyment but also to  try to figure out what is that makes it so great and so enduring. We chose one the 10 best films of all time according to the American Film Institute. The magnificent screenplay by Ruth Gordon and Garsen Karnin, nominated for an Academy Award puts a comedic spin on the age old battle of the sexes which really foreshadows the Women’s Movement and Women’s Liberation which was still 20 years away. The story opens as a woman (Judy Holiday) secretly follows her husband (Tom Ewell) to the apartment of a woman with whom he is having an affair. Quite distraught, she pulls out a revolver and tries to shoot the couple injuring her husband. The following day over breakfast, in a beautiful Manhattan apartment, another husband and wife are reading about the impending trial of this woman. The man who happens to be an Assistant District Attorney (Spencer Tracy) feels that this woman deserves to be fully punished for her terrible deed. His wife, a high powered attorney (Katherine Hepburn), isn’t so sure about that and believes that if the shooter were a man finding his wife having an affair, there would be much more sympathy the perpetrator. Wouldn’t you know it, the husband is assigned to be the prosecutor and the wife has independently decided she would offer to defend the shooter. The trial becomes the vehicle for a hilarious but penetrating analysis of society’s attitude towards women. All the arguments and counter arguments get played out in the courtroom during the day and then in Mr. and Mrs. Bonner’s (Tracy and Hepburn) apartment in the evening. Throughout the film each time one of the characters would seemingly make the winning point in the  male-female conflict, the other would seem to find a way to swing the pendulum in the other direction. The chemistry between these two people is quite palpable. Not only are they great actors but it is well known that they also had a real life romance over many years although never married to each other. The icing on the cake for this movie is that it also introduced an unforgettable Cole Porter song Farewell Amanda which is weaved into the story as it is sung by one of the characters (David Wayne) accompanying himself on the piano, reprised by the voice of Frank Sinatra on the radio, whistled by Katherine Hepburn and sung a cappella by Spencer Tracy. So put together a top notch story with a contemporary social issue that everyone can relate, add well timed comedy, two very well liked actors who have something special between themselves and a hummable musical theme and voila – you have an American classic film ! (1949)

****

Henry’s Crime-sp  Henry (Keanu Reeves) is sort of a nebish, stumbling through life as a toll collector on what seemed to be the New York State Thruway,  in a a loveless marriage to Debbie ( Judy Greer). He just seems to have no purpose in life.  Through no fault of his own, he ends up in jail for a crime he really didn’t commit and serves a year in the clinker. He meets Max  (James Caan) an old timer who was once a con or  “confidence” guy who isn’t even sure he wants out on parole even if he could. Henry’s life is about to change after Julie (Vera Farmiga in a great spirited performance) an actress rehearsing for a play in Buffalo runs into him in a chance meeting. Shortly before this meeting Henry has found a goal in life as nefarious as it might be. There is a play within the movie and a Chekhov play at that, which is driven by love, emotion and suspense. At the same time the life of the characters are filled with suspense, drama, passion and the fun of a heist movie plot. Director Malcolm Venville in his second feature film and American debut, seamlessly moves back and forth between these two dimensions  building to a great movie climax in which we heard out loud reactions from the  audience watching the play within the movie  as well as from our audience viewing this screening. Our reaction was very positive and we recommend that this movie not be missed. (2011)

**

Play the Game-nf We debated whether we should give this movie a two star or a one star which is our lowest rating. It is not that the movie wasn’t pleasant, held our attention and perhaps made us smile a few times. It was “smaltzy”, perhaps a little cute. However it was also quite predictable, showed older folks in a stereotypical if not demeaning manner, had little defects in the continuity, had just fair acting with pros such as Andy Griffith, Doris Roberts and Liz Sheridan who probably could have done better if given a decent story. And what was the story? Old man (Andy Griffith) is in senior living facility after his wife of many years dies, feels lonely and sad. Grandson David (Paul Campbell) who works as a car salesman and also knows how to con women to win them over, visits granddad and encourages him to meet new women. He would show him how to “play the game.” This means giving the woman the impression that you are really not interested and yet show yourself to be intelligent and very desirable. The next thing you know the woman is hot for you and things go from there. Grandpa only wants companionship and doesn’t want to go this route. He certainly doesn’t even think he could do the “wild thing” even if he wanted to do it. His grandson eventually convinces him to give wooing women a try because after all that is what he promised grandma he would do once she was gone. In the meantime “boychek” ends up getting conned by a girl (Marla Sokoloff) who he really likes. Grandpa, on the other hand is suddenly very successful with women in the senior residence who are all hot for him. One of them even slips him a Viagra and now he is up and ready to go. Even though you are probably not going to see this movie we are sure you will not be surprised when we tell you that it eventually has a happy ending. (2009)

***

Barney’s Version: rm   The last time we saw a Paul Giamatti film, this talented actor was in  Cold Souls, a 2009 release and he was present on screen for what seemed to be more than 95% of the movie. Such is the case with Barney’s Version as the film revolves around Barney Panofsky and his arrogant, self centered and yet needy persona over a forty year period. A man who meets his third wife (Rachell Lefevre) at his  wedding to his  second wife (Minnie Driver) and then leaves the reception to pursue her is certainly suspect of being not such a nice guy. Then there is the question why would #3 allow her self to be interested in him knowing his history? Despite her seeming to be a charming intelligent, lovely woman herself is she so  flattered by his attention and persistence that she ultimately becomes his wife and mother of his two children? It is interesting to consider how this movie depicts women. While certainly a complicated issue considering the time setting of most the scenes (20-30 years ago), it did seem that for the most part they are shown in a stereotypical manner mainly  as appendages to the men in their lives. Then there is the fact that Barney is clearly Jewish. The wedding is a stereotypical Jewish affair (except perhaps there is an over emphasis on alcohol). The movie is based on a novel by Mordecai Richler is well known for writing about the struggle of Jews such as his acclaimed book Apprentice of Dudley Kravitz set in Canada in a Jewish environment as was much of this story. In this regard Dustin Hoffman plays Izzy, Barney’s very Jewish father but he happens to be a cop! It also seemed to us that the storyline really had to go to an extreme at the conclusion to get us to really feel sympathetic towards Barney. However, in the end it is the acting of Giamatti which will stand the best chance of selling this movie. He apparently sold the Golden Globes as they gave him the award for the best actor in a musical or comedy and we don’t think this movie is a  comedy at all and certainly isn’t a musical. In fact the movie was released in late January 2011 so we aren’t even sure how this qualified for the award. But on the other hand, this isn’t your ordinary story; it is Barney’s Version. (2011)

****

Waiting for Forever: This is a quirky but very well done film, which will completely touch you or you will write it off as in implausible fairy tale. Very early in the film you understand that Will Donner (Tom Sturridge) lost his parents in a train crash when he was 10 years old and moved away from his home to live with an uncle, leaving behind his best friend and life long playmate, Emma (Rachel Bilson). Now here is the tricky part. When he gets older Will follows Emma from city to city just to be near her. He has great trouble approaching her and reintroducing himself to her, so this goes on for several years while she ultimately becomes a television actress. Will is content to be a street juggler/clown and gets by. Inevitably things happen. The key to the movie is the acting of Sturridge as he inhabits the character of Will and projects him as likable, sincere guy with a good heart. He doesn’t come across as a psychopathic stalker and doesn’t seem to be psychotic, although he would have to be somewhat damaged by his childhood trauma. You may find yourself rooting for him as he ultimately approaches the love of his life. While Will is certainly an unusual person who lives an atypical life, the other characters in the story demonstrate complexities and realism. Veteran actors Richard Jenkins and Blythe Danner are terrific as Emma’s parents as they deal with the anticipated death of Jenkins’ character. Bilson as Emma struggles with this event as well as her own love life.  Scott Mechlowicz is excellent as the Will’s older brother, now a successful banker. He is frustrated at his brother’s behavior but understanding and loving him as well as having shared the family tragedy. James Keach, veteran actor/producer/director who directed this movie was the guest at our screening. He clearly had an affinity for this story and he described it as a labor of love for which he took no money up front. In his role as director/producer he completed the film in 24 days with a relatively tiny 3 million dollar budget . It will open in one theater in Los Angeles 10 days before Valentine’s Day, which may be just the occasion to draw in people who will spread the warm feelings about the movie.

****

Let Me In- sp You probably don’t want to see this movie unless you like Vampire films with all the blood, gore and death, so they can live another day. But if you like this genre you will get a lot more than just the horror show. It is a very touching story of the coming of age of two 12 years old kids (even if one is 250 years old in a 12 year old’s body) which beautifully shows the innocence of adolescent awakening. There is a very vivid and painful depiction of  bullying by young people which reminds us of the dread that a kid who is the victim of it will feel every day. When there is revenge for this type of treatment, you can imagine what a Vampire. can do. The audience also experiences a palpitating anticipation, which is served up in this type of a movie and greatly helped by a music score with appropriate sound effects which reverberates through your body.  This is all the work of Matt Reeves, who wrote the screenplay based on the novel  Let The Right One In and a Swedish movie by the same name. Reeves who made Cloverfield, was a guest speaker at our screening of this film. He was very clear on what he wanted to achieve, apparently keeping true to parts of the novel, paralleling the European film and writing from some of his own childhood experiences. He used two excellent child actors, Kodi Smit-McPhee and Chloe Grace-Moretz and allowed them to teach him what a 12 year old might feel in these  unusual situations (of course this required them to rev up their imaginations to the fullest). They really did an outstanding job as did Richard Jenkins who was put in the role of a most evil person and yet the audience almost wanted him succeed in his grim tasks. Be aware that about 20 % of our screening audience which probably didn’t know what the subject matter was going to be, walked out on the movie during the first 15-20 minutes. There certainly was no one under 40 in those walkers. If they had stayed until the end they might have appreciated the thoughtful writing, excellent acting and a top notch Vampire film.(2010)

****

The Town rm– The Boston Police Department is not going to like this movie. Ben Affleck obviously dove head first into this film, being director, lead actor and co-writer. His character Doug MacRay is a home grown product of Charlestown section of Boston where there have been more bank robbers per capita than any other place in the U.S.A. He and his buddy James Coughlin played by Jeremy Renner and a bunch of other guys blast open the movie pulling off one of those heists. There is plenty of action in this movie including one of best car chase scenes that we have seen since Gene Hackman in The French Connection quite a while ago. You really get to know and understand MacRay and can’t help caring about him and rooting for his relationship with Claire Keesy (Rebecca Hall) the bank manager of the opening robbery who end up being sympathetic bed fellows. Casting Jon Hamm    (of tv Mad Man fame) was a great choice as the opposing FBI agent along with Titus Welliver (the “bad” DA in The Good Wife tv series) who is his trusty assistant. The entire cast of characters is quite believable which is a tribute to their great acting, fast pace and the outstanding directing by Affleck who kept us on the edge of our seats. There also is a sensitive insight into how in some communities and families, young people get drawn into a life of crime from which it is very hard to extract themselves. The question is whether you can suspend reality and swallow the story line when the band of thieves faces down the entire Boston PD including  their SWAT teams and our hero ultimately attempts to do a payback to his beloved town.(2010)

***

A Single Man – nf-  This is one of those films which tries to explain what life is all about. It is set in 1962 and George Falcon  (Colin Firth)  is a gay English Professor at a college in Los Angeles. Very early in the movie we learn that his partner of 16 years has died in car accident while visiting his family in the north. The funeral is only for  “ family” and George is not welcome to attend. The movie proceeds to show a subsequent meaningful day in his life, albeit with various flashbacks, while he is drowning in his grief. It is a meaningful day because we see that George is planning for this day to be his last one. Many of the people whom he meets in his usual day seem to detect that he is unhappy and do seem to care about him. There are two people who are capable of moving him   We meet Charley (Julianne Moore) whom he first knew in England, was briefly a former lover  and now lives nearby and is a very good friend. She seems to mirror his struggle trying to find the meaning of life and their interaction is warm, intimate and provides rich insight into both of them. However he seems to be able to leave her behind. As determined, as George is to make this his last day, his order of things seems to be shook up as Kenny (Nicolas Hoult) one of his students seeks him out and makes a connection with him. This is very complicated connection, no doubt, and this relationship makes the point of the movie about the meaning of life. This film is based on book written by Christopher Isherwood more than 25 years ago and appears to have had a very special meaning to director Tom Ford who wrote the screenplay with David Scearce. In the commentary on the DVD, it is clear that Ford clearly identifies with the main character. He describes many of the complicated symbolism and imagery, which he used in the film which certainly did not come to mind while watching it.  On  the other hand, it is the total effect that really counts and Ford has put into the film a musical score that parallels the mood being developed, as does the changing tints and colors that have been used . Whether or not you get caught up in the message of the movie, it is easy to see why Colin Firth was nominated for an Oscar for this performance. In his British understated manner he conveys usually just with his facial expressions a range of emotions from unmitigated grief and sadness to the subtle joy of caring and being cared about. (2010)

**

Crazy Heart- nf-  A self centered , has been,  country music singer by the name of Bad Blake  ( Jeff Bridges ) is an , alcoholic , big time smoker, overweight who is reduced to playing with the local band in dinky  bars. He   rolls into a small town and meets a young women  (Maggie Gyllenhaal)  with a four year old son  who interviews him for a local newspaper.  They end up in bed together and our has been country singer with four failed marriages and son he hasn’t spoken to in 24 years wants  immediately decides that he has to be with her. He gets  inspired to write some new songs, which he hasn’t done  in many years, for his former protégée ( Colin Farrell )  who is now big time star. Bad Blake also wants to change his ways so he isn’t so bad. Don’t worry that some of the plot is revealed. If you see decide to see the movie you shouldn’t be doing it for the storyline which is hackneyed and not very believable. Both Bridges and Gyllenhaal were nominated for Academy awards for their acting and Bridges actually snared the award.  He was outstanding as he actually made this fairly obnoxious character almost likeable. He did his own singing as did Farrell although there may have been a little lip syncing. If you have any inclination towards enjoying country music that is the best part of the film and there also was an Oscar for one of the original songs. The great  acting, the enjoyable  music and even a supporting role by Robert Duvall who was a producer for the film and  played  a friend and a bartender, can’t make us say we were glad we saw this movie or recommend it  (2009)

* * *
Heartbreaker – sp – When you see a romantic comedy especially when it is a “farce”, you have to be able to suspend your expectation for realism and just enjoy the film. One of us was able to do that right away and the other took a little longer to give into the premise. Romain Duris is Alex the young, suave, bearded Frenchman ( the film is in French with subtitles ) who works with his sister and her husband in a unique business. A client who believes that a particular woman should not be romantically involved with her boyfriend or fiancée hires them. This team will research this woman and determine her special likes and dislikes. They will arrange a scenario where Alex will happen to meet her, charm her and when she falls in love with him, he will not be emotionally available but she will realize that she should not be with her current boyfriend. The job is completed and the con team gets paid. They often use high tech to set up their ruses. It should be noted that Alex has scruples in that he will never accept a job unless he really believes the girl shouldn’t be with her current lover. It is an interesting premise and the trio of screenwriters and the direction of Pascal Chaumeil creates some very clever and funny scenes. Needless to say, things don’t go according to schedule on one of these capers when Juliette played by Vanessa Paradis is the target of their latest job. The conclusion is a little reminiscent of the ending of The Graduate You will have to decide if you believe that she is now falling in love with the perfect man for her that Alex has created or does she now see his true love for her which she believes she also has for him? One of the screenwriters of the movie is a Harvard educated, AFI graduate Jeremy Doner who obviously has a good feel for the French sensibilities of love and humor. He was a guest at the screening we attended and told us that this film was one of the most financially successful films to be shown in France in the last several years but there usually can only be limited expectations for a foreign movie with subtitles in the United States. Perhaps for this reason, he is currently working on an American English version of this story which has been set for production in the near future. A romantic comedy , even one that is a farce usually ends with a warm feel good sense about the ultimate relationship of the lovers. ( Think Tracy and Hepburn) . The fact that Juliette’s feelings for Alex were based on the con job pulled off by Alex may take away a bit from the audience’s feeling good about the lovers as the movie concludes. Perhaps they can fine tune the ending of the English version so there is no doubt that they are right for each other. 2010