**

The Beguiled-rm

Three years into the Civil War, a pre-teenage Southern girl picking mushrooms in the woods stumbles upon a wounded Yankee soldier (Colin Farrell) after a battle has moved on. She brings the injured soldier to a woman’s school where she lives with eight females ranging from a teacher to two or three preteens in a large beautiful old southern mansion which housed the school.

Here is where the title of the movie becomes important. Before we looked it up, we thought the word “beguiled” has a meaning somewhere between “attracted to” and “seduced by”. The actual dictionary definition that we found in Merriam-Webster’s (online of course): is “to lead by deception… hoodwinked… to deceive by wiles…” So this movie appears to be about what this soldier living with these girls and women did to them… and what they did to him. The movie which was directed Sophia Coppolla, daughter of Francis Ford and Eleanor Coppolla is a remake of an older movie of the same name from 1973 starring Clint Eastwood with an apparent slight change in emphasis. We haven’t seen the earlier film but we believe this new version is more from a female perspective.

We were on the edge of our seats for the first half of the film but then found that it didn’t hold up. We both felt that the plot turned unbelievable. The women were played by strong actresses that included Nicole Kidman, Kirsten Dunst and Elle Fanning, but we really didn’t come to understand any of the the character’s backstory and we felt we were left high and dry at the conclusion. (2017)

*****

Strange Weather- sp

Holly Hunter gives a knockout performance as Darcy a grieving mom, who has kept her sorrow pretty much to herself for five or six years until she learns some new information about the death of her son. She then embarks upon a road trip in an old Ford Pickup Truck with her friend Byrd (Carrie Coon) through the deep rural south in order to track down Mark Wright (Shane Jacobsen) her son’s friend who was the last person with him before he died.

The deep twang of the guitar plus the haunting soundtrack put together by Sharon Van Etten adds an emotional beat to this movie. As Darcy penetrates deeper into the south and visits her old now mute ex-husband, there is a buildup of the gut-wrenching emotion that Hunter brings to her role and which reaches the climax when she confronts the now very successful Mr. Wright.

Director-screenwriter Katherine Dieckmann uses her written dialogue and her camera to closely examine the raw and at times beautiful feminine nature of these characters. Underlying the painful theme of this story is an uplifting message which makes the emotional rollercoaster ride that it provides to be quite worthwhile.

We expect to see many awards bestowed upon this film and especially Ms. Hunter. (2017)

*****

The Big Sick-rm

Kumail Nanjiani is a comic actor who is one of the stars of the TV series Silicon Valley. This movie is based on Nanjiani’s real life. It is co-produced by Judd Apatow who is known for two great comedy classics Bridesmaid and Trainwreck. Nanjiani comes from a traditional Pakistan family who emigrated from Pakistan to Los Angeles. They expected their son to marry a Pakistani girl which they would be glad to arrange for this to happen. They also would prefer that he become a lawyer rather than work in the world of comedy which he was doing as a struggling standup comedian. Emily (Zoe Kazan) meets Nanjiani when she makes some comments during his standup act at a comedy club. She is from Chicago but is living in Los Angeles. There is obviously a chemistry between these two as the story develops.

Stop here and read no further if you don’t like spoilers! Since there has been a great deal of press about this movie, you may know what develops in the film. One of us (SB) knew the story but still loved the movie. One of us (MB) also loved the movie but preferred not to know any spoiler events and viewed the film without knowledge of the background of the characters until he saw the movie.

So now, welcome to those who are just continuing with this review or perhaps are returning after you have seen the film. This movie was actually co-written by Kumail Nanjiani and his real life wife Emily V. Gordon. They recount how despite that they were very compatible sexually and otherwise, Kumail needed to please his parents and therefore broke off their budding romance.

The big event that changed everything was “The Big Sick” and that was a life threatening infection, which led Emily to be hospitalized and then put into a medical coma. This event brought her parents Beth (Holly Hunter) and Terry (Ray Romano) to Los Angeles where they meet and ultimately connected with Kumail. Hunter is terrific as the energetic and emotional mom. It is hard to forget Romano as anyone but “Raymond” of his classic TV series but he is still a likable character and could very well be the caring dad that he portrays. However, it is Nanjiani’s facial expressions that convey his emotional caring while his words express sincerity, irony, and comedy. These words, as well as the words added by all the actors were co-written by Nanjiani and his real life wife Emily V. Gordon. The comedic lines throughout this movie drew out loud laughter from our movie audience, which is something we often don’t see. Obviously, the continued existence of the co-writers of this film reveals a recovery and a happy ending of this movie and for this talented couple. The film is worth seeing whether you know the story or not. It is smart, funny, poignant and full of life, despite the “near death” experiences of the characters and their relationship! (2017)

The following is a guest review  by Larry Hott,  a prominent film maker and movie critic with whom we are very close. (see his bio and link to radio interviews about this film at the end of this review)

****

Get Me Roger Stone -nf

Review by Larry Hott

Have you heard stories about a political operative who has a picture of Richard Nixon’s face tattooed on his back? Roger Stone is that guy. He’s the protagonist of the new Netlfix documentary that’s out in theaters right now and online on Netlfix.

Some reviewers say you’ll feel the need to take a long hot cleansing shower after watching this snake and I couldn’t agree more. The filmmakers, (three are named directors – Dylan Bank, Daniel DiMauro and Morgan Pehme) let you know that they think Stone is responsible for the rise of Trump and virtually every evil that’s happened in American politics since the age of Goldwater.

Stone, who is this weird looking guy who kind of reminds me of Julian Assange (in fact there’s a Julian Assange connection) gets his start by befriending the infamous Roy Cohn, the chief counsel to Joe McCarthy and also, by no coincidence, an advisor to Trump.   Stone helped run the Reagan campaign, was instrumental in defeating Gore in Florida during the 2000 recount, and has been involved deeply and malevolently in the Trump campaign from the start. “The New Republic” called him “The State of the Art Washington Sleazeball.”

This movie has amazing interviews, including a sit down with Trump that almost makes him, Trump, seem like a reasonable person. Maybe it’s by comparison to Stone, who keeps spouting his personal rules, which include “The Past is F-ing Prologue,” and “Hate is a more powerful motivator than love.” Trump loves this guy and owes him a lot. It’s not clear if Stone really believes in anything but himself and winning and making a ton of money. This is a guy who got caught advertising sex parties with his wife and him online and then denied it, then admitted it, and thinks now that it serves his brand. He’s in deep with Alex Jones, the delusional Info Wars conspiracy theorist and that’s all you really need to know about his mentality.

It’s fun to watch this film if you’re both a political junky and a masochist. It’s weird to see Trump talk about someone other than himself, to see Paul Manafort spill the beans on their strategy and then have every move picked apart by the extremely articulate writers Jane Mayer and Jeffrey Toobin, who should be given the documentary award of merit for demonstrating some sense of decency and honesty around these cynical and hateful political manipulators.

If you need a primer on the last election, the film will do nicely, but it’s also very up-to-date, with a mention of Stone connection to Julian Assange and the possible Russian collusion with both of them to release documents about Hillary Clinton’s emails. (WikiLeaks published emails related to Hillary Clinton’s presidential campaign that intelligence agencies say were hacked by Russian intelligence.)

As a documentary it’s not perfection by a long shot. You have to know the characters and there’s no scorecard. It’s a bit like switching channels from Fox News to MSNBC to CNN and PBS News Hour back and forth for 90 minutes. Like Laura Poitra’s Julian Assange documentary “Risk,” however, you do get to know the personalities and you’ll be a better informed political junky if you watch it through the painful recap of the 2016 election. As a filmmaker there is fun recurring bit – Roger Stone, who seems to enjoy being on camera more than screwing his enemies, introduces the film crew to everyone they meet as a bunch of liberal, commie pinko filmmakers. It’s nice to be in such good company.

One more thing, there is a piece of music the filmmakers use that is eerily similar to Errol Morris’s soundtrack in the classic film “Fog of War,” the portrait of Robert McNamara. McNamara comes off as a saint compared to Stone, who is Machiavelli’s love child, no doubt.(2017)

Lawrence Hott and Diane Garey began work­ing together in 1978, as members of the Florentine Films consortium.  They formed Florentine Films/Hott Productions in 1981. Since then they have produced two dozen films for national PBS broadcast as well as several productions for web and educational distribution. Their awards include an Emmy, two Academy Award nominations, a duPont -Columbia Journalism Award, the Erik Barnouw History Award, the George Foster Peabody Award, five American Film Festival Blue Ribbons, and 14 CINE Golden Eagles.  Their films have been broadcast internationally and Hott and Garey have presented their documentaries in special programs in Canada, Ecuador, Colombia, Venezuela, Algeria, Great Britain and Vietnam.

You can hear two Larry Hott interviews about this film on WHMP Radio at http://whmp.com/podcasts/vaya-con-munoz-6-17-17/ and http://whmp.com/podcasts/who-framed-roger-stone/

***

Midnight Return-sp

Billy Hayes was a 23 year old student when he was caught trying smuggle four pounds of hashish , strapped to his body out of Turkey in 1970. He was originally sentenced to four years in a Turkish prison but then the sentence was change to a life sentence. During the course of his imprisonment he was transferred for a while to psychiatric hospital and then to another Turkish prison. In 1975 after 5 years in prison he miraculously escaped to freedom via a row boat to a nearby town and then found his way to the Greece border with money his father had clandestinely given him during a prison visit and he ultimately made it back home to the United States.

Once back in the U.S. he wrote a book on his experience, titled Midnight Express which in 1978 was made into a wildly successful movie starring Brad Davis, directed by Alan Parker, with an award winning screenplay by Oliver Stone which essentially launched the now famous movie director’s career. The unanticipated impact of this movie was to portray all Turks as bad and to basically to paint a world wide negative image of Turkey which impacted its reputation and hurt it economically especially in regards to tourism.

Sally Sussman, a successful writer who was Head Writer of the daytime television programs, Days of Our Lives and The Young and the Restless, became interested in the story behind the movie and found a way to meet with the various moviemakers of this film and Billy Hayes himself. She put together the team that raised the capital to make this documentary film Midnight Return and interviewed Hayes, his family, Stone, Parker as well as others who were crucial in making the film. She examined the impact of the film, how certain issues were exaggerated, gives an insight into how Turkish Americans reacted to it and most interestingly through old footage and many interviews traces the life of Billy Hayes for about the 40 years since he escaped from Turkey.

We can imagine that those who have seen the original 1978 Midnight Express and were impacted by it when it came out, will find this follow up to be especially fascinating. We did feel that this 99 minute documentary felt somewhat drawn out. It did not give us the in depth look at Mr. Hayes that we would have liked. While he did develop somewhat of an acting career later in his life and actually recently visited Turkey, it does appear that he remained single and this early trauma of his youth still dominates his life. (2017)

***

Marie Curie: The Courage Of Knowledge – sp

Wonder Woman may be the box-office bombshell that has women and young girls flocking to the movies (along with the guys) because she is an unequivocal super hero who happens to be a woman. Well, there is another woman on the block and in a few weeks Marie Curie is going to be released in Los Angeles and then in the rest of the country. While this film may not quite have the excitement and actions seen in WW, but certainly, she should be as big hero and role model.

Director and screenwriter of this film, Marie Noelle, shared her thoughts from Germany via a Skype hookup projected on the big screen after our preview viewing of this movie. Marie Curie had been her hero as a child because of her scientific accomplishments. However, it was what she learned about her personal life that fueled the filmmaker’s desire to work on this project.

Marie Curie was born in Poland and studied in Paris where she conducted the pioneer research in radioactivity. She discovered radium and how this could be used to treat cancer. She won two Nobel prizes and was the first woman accepted into the French Academy of Science despite great resistance because she was a woman.

A major focus of this film however was not only the resistance to her being recognized because she was a woman, but also because it became public knowledge that she was having an affair (after her husband died) with a married scientific collaborator and actually, had been threatened by the knife-wielding slighted spouse. This obviously would have been a non-issue had she been a man.

Karolina Gruszka was superb in her portrayal of Curie. Curie’s devotion to her work and her personal and professional passion to family and to equality were crystal clear. The film was in French with subtitles and at times we felt that something was missed in the translation as they flashed by. There were many bearded men in the movie and we weren’t sure at times who was who. Albert Einstein even made an appearance, but we didn’t exactly appreciate his role in the scheme of things. The photography, scenery and the characters sweeping across the screen sometimes made us lose track of the storyline. Both men and women will benefit by seeing this film and appreciate the trials and tribulations of this extraordinary scientist. (2017)

***

Beatiz At Dinner-rm

A very plain but beautiful, young Mexican woman (Salma Hayek) who is a spiritual masseuse who believes in the holistic approach to healing, is finishing up with her last client who is a wealthy woman (Connie Britton) living on a fancy estate in Southern California, when she finds that her car would not start to go home. She is invited to join the woman and her husband (David Warshofsky), along with two couples (Chloe Sevigny, John Lithgow, Amy Landecker, Jay Duplass) who have come to visit for an evening dinner party.

In this movie, there is no mention of American politics whatsoever. However, this film becomes a clear metaphor for the current political scene in the United States. One of the men (Lithrow) is a very wealthy real estate mogul. The contrast between Beatriz and this guy is crystal clear. He feels that his destiny is to live his life to the fullest with no real regard if he tramples other people’s lives and for sport he chooses to hunt and kill a large powerful animal. She would protect people if their land was being taken away for business ventures and could even bring a goat into her house if doing this would save its life from the elements. There are clear allusions as to how some people question other people’s citizenship and would also put the outdoor environment in jeopardy just for their own pleasure. There are references to how some people collude for their own benefit and do not really care about the less affluent. In a metaphoric way, the question is raised as to how angry will the oppressed really get? So angry that they might fantasize killing the oppressor, but in the end might sadly drown into self-annihilation.

Director Miguel Arteta did a magnificent job with the story written by Mike White. You will not see this movie on the list of current thrillers, but it is a chilling contemporary satire of the modern political debate in America. (2017)

**

The Hero – sp

Sam Elliot is a captivating actor, tall, rugged with an unbelievable resonant voice. He plays such a character in this film which was specifically written for him by Brett Haley who is the director and screenwriter. Mr. Elliot even admits that the actor he plays in the film is somewhat like his real self, but the plot is fortunately not his story.

Lee Hayden (Elliot) is an over the hill actor in his early 70’s, long time divorced and estranged from his daughter Lucy (Krysten Ritter). He once starred in a very successful cowboy film but now does mostly voice-overs. He also has a newly discovered challenging health problem at the same time he has met Charlotte, a young woman (Laura Prepon), and they share a mutual attraction to each other. Did we say young woman? She is actually in her 30’s. almost a 40 year difference. Our hero has to try to figure out this relationship while facing his own mortality and trying to make peace with his daughter. At the same time, he may have the opportunity for a great part in a new movie.

The problem with this situation and the problem with this movie is as far as we’re concerned is that we really don’t understand these characters. We don’t know the real backstory on this young woman who is attracted to this older man nor do we understand why our hero got divorced from his wife (who by the way is played by Katherine Ross, Mr. Elliot’s real life wife).

In a post-film interview with Mr. Elliot, we learned a little bit about how he has approached his own career and didn’t try to play characters that he couldn’t relate to. However, this movie we believe didn’t offer much insight into the personality of the main character and his issues. We give kudos to Mr. Elliot as a compelling actor, but we can’t recommend this film (2017)

**

The Wedding Plan – sp

This is an Israeli film (a comedy of sorts) written and directed by Rama Burshtein who is an Orthodox Hasidic woman. This is her second feature film and both have dealt with the subject of marriage.

In this current movie, Michal (Noa Kooler) is a young Orthodox Hasidic woman who despite the attempts of matchmakers has not been able to achieve her goal of finding a husband. In fact, she thought she was getting close and was planning her wedding when her boyfriend Gidi (Erez Drigues) told her that he really didn’t love her. This didn’t make her call off her hope to get married, in fact she told Shimi, the guy who runs the wedding hall that he should reserve the eighth day of Hanukkah as the date that she would be getting married (this is the day the miracle of Hanukkah took place where the Maccabees had run out of oil for their lamp in the synagogue but the small amount left burned for eight days) even though she didn’t have anyone to marry yet. She was putting her faith in God that in the next couple of weeks, she would find her husband-to-be. That of course was putting a lot of pressure on the matchmaker, her family and herself. She even goes on to meet Yos, a rock star (Oz Zehavi) in a holy shrine but it didn’t look that she was going to take him or anyone else to the Chuppa on the day that is set for her wedding. Her strong faith and even the faith of her mother (Irit Shelleg) and her best friend Feggie (Ronny Merhavi) that things are going to work out was very touching but truthfully, that is where the theme of the movie becomes challenging to us to say the least. It becomes difficult to identify with this very appealing and likable protagonist as well as her entourage of family and devoted girlfriends.

On one hand, we sensed that this is presented as a comedy with everything somewhat exaggerated. On the other hand, we understand that we are being given an insight into a culture and religious sect where love and marriage are very sacred, but the former probably is supposed to develop after the later. (First marriage, then love) We were not touched by the movie and in fact found the premise of the plot unbelievable. That would make the film somewhat unsuccessful in our eyes because after all, it wasn’t that funny to be a great comedy. However, if we view the story as not so much a comedy, but rather an exposition of the optimism and faith of this religious group that we occasionally encounter but don’t really understand, then perhaps the film is somewhat of a success on another level but not enough for us to recommend it.

The movie opens not only in Israel, New York and Los Angeles but all over the world and it will be interesting to see how it is received. (2017)

***

Paris Can Wait – sp

If you are a Francophile, a connoisseur of French wine, appreciate tasty French food, love the beautiful French country side with small historic towns and are touched by French romanticism then this may be the movie for you.

Eleanor Coppola, wife of famed director Francis Ford Coppola, a woman who recently turned 80 and is an accomplished documentary filmmaker herself, undertook her first feature film in the role of producer, writer and director. She based this story on a circuitous trip that she once took from Southern France to Paris with her husband’s male colleague when a combination business and vacation trip in Europe was interrupted by her husband’s business needs.

Mrs. Coppola morphs into Anne Lockwood who was intriguingly played by Diane Lane. Her character is the wife of Director Michael Lockwood who was played perfectly by Alec Baldwin who has to fly away on a business trip with plans to meet up with his wife in Paris. Coincidently, his colleague, a Frenchman by the name of Jacques Clement (played by a relatively unknown French actor, Arnaud Viard) offers to drive the director’s wife from Southern France to Paris since she has a minor ear infection and really should not fly.

What follows is a most subtle blend of scrumptious food, velvety deep red wine, magnificent scenery of lakes and mountains, attractive middle-aged people who the more you know about them, the more you are drawn to them as you see them drawn to each other. This is not a hot R-rated movie. Perhaps the sexuality, which is in the mind of the beholder, or in this case, in the viewer, is therefore all the more powerful.

Although only a little bit more than one and a half hours, some might find this film a little drawn out, probably depending on how much you appreciate the previously stated elements of the movie. The best part of this movie treat is that what you bring to the table will determine how well you will digest and remember this cinematic experience. (2017)