***

While We’re Young -nf

Noah Baumbach is a prolific filmmaker who is best known for the award winning movie The Squid and the Whale (2005) that he wrote and directed. It was probably semi-autobiographical as it told the story of two boys in Brooklyn dealing with the divorce of their parents.  

This current film 10 years later which was released in March of 2015 is about a middle-aged couple in their 40s, Josh and Cornelia (Ben Stiller and Naomi Watts) who encounter a younger couple Jamie and Darby (Adam Driver and Amanda Seyfried) who are in their mid 20s and seem to be “living in the moment” and enjoying life the way the older couple believe they did when they were that age. This leads Josh and Cornelia to do a great deal of self -reflection. Stiller’s character is a documentary filmmaker who hasn’t achieved the success that he hoped for and seemed to be stuck in the rut in many ways including being obsessively involved in one film for the past 10 years (An interesting sidebar is that the subject of this Josh’s film is a historian who is played by Peter Yarrow of the 1960s folk singer group Peter, Paul and Mary). In fact, Josh and Cornelia’s marriage also seem stuck as they ambivalently accept the plight of their not having children while all their friends are reproducing. Josh’s new friend seems to value him as a mentor, which is initially quite flattering to him. This new couple, Jamie and Darby, seem to be enjoying life and doing all the things that the couple in their 40s hasn’t been able to do. The storyline by Baumbach allows us to understand and empathize with the struggle of Josh and Cornelia. Not surprising however, things are all not what they seem to be as this film ultimately has an interesting reveal.

Each of the veteran actors mentioned above are excellent including Charles Grodin who plays Cornelia’s father who is a very successful veteran documentary filmmaker who while depicting his character’s elderly wisdom still conveys the actor’s comedic self.

Whenever there is a film about the inside working of some aspects of the moviemaking business (documentary films included), we expect that the filmmakers are giving us the inside scoop from their real life experience. That may very well be the case here but it is also a penetrating look of the struggle of many people trying to go through the process of maturing as adults. (2015)

*****

Les Miserables sp

During the first few minutes of this epic film we were somewhat uncomfortable in that there was almost no talking and it was all singing. Of course this is based on the well known musical show by the same name  but we just were not used to the constant singing of just about every piece of dialogue. Well, for the next two and half hours, we not only were comfortable with this style, but were completely caught up with the story, characters, drama and especially the emotion  which was fueled by the wonderful music. Tom Hooper was chosen to direct this adaptation of  this well known  theatrical musical classic to the screen shortly after he won an Academy Award for The Kings Speech . He had a team of writers and producers who had worked on the original show in both London and on Broadway. In fact the original actor who played Jean Valjean, the thief who turns his life around, more than 25 years ago, Colin Wilkerson, played  a smaller role in this movie as a Bishop ( we are sure as a tribute to the great history of this production.} Hugh Jackman carried this role in the modern film and was in fine voice and in character, as was Russell Crowe as Javert, the inspector who is mostly shown as the villain. Ann Hathway played Fantine a tragic heroine, a role originally played by her mother on the stage  many years previously. She poured her heart into her major song which was an acting and singing triumph. Amanda Seyfried was excellent as Cossette as was Eddie Redmayne who played Marius the object of her love and  one of the young heros. Helena Bonham Carter and Sacha Baron Cohen provided some comic relief but also demonstrated that they could sing.  Interestingly, Hooper did full continuous takes of all the singing and did not have the performers mouthing to their previously perfectly recorded  renditions of the songs. This is quite an unusual approach in a musical but it appeared to work quite well allowing many close ups of the actors during these pieces. There were also some great long views of the Paris setting and the barricades which were manned for action.  The setting of the story is 1832 in Paris, post French Revolution but at the time of an  uprising known as the June Rebellion. This is really a morality play which shows how some people have a deep sense of fairness and justice and how one will not forget what has happened in the past . It is also a great love story. Finally it is a story about death. We are reminded what it means to die for the causes which you believe in and also the sadness when a parent has to die and say goodbye to the next generation. When you deal with such themes with characters you have come to know, add poignant and at times powerful music, you end up with a truly emotional experience and a great movie.  (2012)

***

Chloe- rm– this movie deals with the situation of a partner in a marriage believing that a spouse has lost sexual interest. A middle aged female gynecologist (Julianne Moore) suspects that her college professor husband (Liam Neeson), who always seems to flirt with his female students, may be having an affair. She finds Chloe (Amanda Seyfried), a younger but very experienced woman, at a nightclub. She hires her to approach her husband to determine if he seems interested in her. Chloe is to report to the concerned wife as to the results of the encounters. It is clear that from the beginning of meetings between two women, that there was an intense sexual attraction. Chloe is a contemporary of the physician’s son who is starting a career as concert pianists as well as beginning to bring women home. He has a chance meeting with Chloe, which further complicates things. The story turns on an interesting variation of the of plot of the classic film Fatal Attraction. Director Atom Egoyan provides fast pacing to this intense drama. Julianne Moore expresses the intensity of her emotions very well through her facial expressions. The movie was surprisingly explicit especially since we viewed in flight where sexual scenes usually are toned down, on the other hand it was an international airline. (2010)