*****

The Shape of Water

This is an unusual conglomeration of a movie set in the 60s, combining a science fiction and fantasy genre with a classical cinematic musical, mixed with a cold war spy thriller. Much of the story takes place in some kind of a government facility where Eliza (Sally Hawkins) a mute cleaning woman works. She happens in on a government research project where a gentle monster of an amphibian man (Doug Jones – not the politician) is being housed. They communicate with silent gestures as two kindred souls. Meanwhile in the background there is a tough government official (Michael Shannon) who seems to be against everyone who is not patriotic. There is the spy but really a good person (Michael Stuhlbarg), a sympathetic fellow cleaning lady (Octavia Spencer) and a lonely neighbor artist (David Hewlett). We get the feeling that perhaps this is a satire, which is confronting a political climate where people who are different are marginalized. (Sound Familiar?)

This unusual story is written by Guillermo del Toro, who directed the film and also co-wrote the screenplay with Vanessa Taylor. Sally Hawkins did a knockout job despite playing a mute woman (she did appear to sign quite proficiently and actually had a chance to do a spot of singing and dancing quite beautifully in a fantasy scene). The story will pull you in and touch your emotions with its content and with the period music. It goes to show you that despite the unlimited choice of entertainment on television, movies are still better than ever. (2017)

****

The Manchurian Candidate- nf

I was on a cross country flight and I checked out the movies available that could be viewed on board. In honor of the Frank Sinatra Centennial, there was a choice of several movies in which the great singers starred. I chose the classic Manchurian Candidate. This 1962 movie deals with the subject of the Cold War and the brainwashing of American soldiers captured during the Korean conflict. Just a few minutes into the film, I realized that it had relevance to a contemporary subject in the world today. Our headlines are filled with stories about terrorist, some American born, who have been radicalized by Jihadist groups who are trying to bring about terrorism In the United States by murdering people and disrupting the life of their sworn enemy.

In this black and white movie, Bennett Marco (Frank Sinatra) and Raymond Shaw (Laurence Harvey) are two of several soldiers captured by the North Koreans and flown to Manchuria where the Chinese with the help of the Russians used newly developed brainwashing techniques which include drugs and hypnosis. Marco and Shaw are part of the small group of brainwashed soldiers returned to the United States. Shaw is programmed to do the major damage. Some of the other soldiers are beginning to have bad dreams at night which makes them believe that things are not what they seemed to be. Raymond Shaw’s mother (Angela Lansbury) who is a mother from hell is now married to United States Senator Iselin (James Gregory) who is a communist sympathizer which obviously has significance to the people controlling the returning soldiers. Raymond Shaw falls in love with Jocelyn Jordan (Leslie Parrish) but his controllers don’t like that turn of events and do something about it. Marco Bennett (Sinatra) becomes the hero here and there are some very dramatic and exciting scenes.

This movie was very well received. Angela Lansbury was nominated for an Oscar. Director John Frankenheimer won a top award by the Directors Guild and Sinatra was able to put another notch in his belt for his outstanding acting to add to his status as a legendary singer.

Some day someone will make a film which might tell the story behind the headlines of how the ISIS terrorist organization brainwashes some of its victims to commit terror in the United States with lethal weapons. When the movie, The Manchurian Candidate was made in 1962 there had been U.S. pilots captured flying missions over North Korea and were shown on TV praising their captives while in a trance-like state. So if you’re ready for one of the outstanding movies of the 1960s, pull this one up on Netflix. (1962)

***

Bridge of Spies -rm

With Steven Spielberg directing, Tom Hanks staring, the Coen brothers being part of the writing team in this story of the spies in the cold war, this movie would seem to be bound for success. If you were around in the 1950’s, the story of Colonel Rudolf Abel, the Russian spy caught spying in  Brooklyn and Francis Gary Powers, the American pilot shot down taking pictures over Russia should be quite familiar to you. That may take some of the suspense away from you as you know how the movie is going to end. On the other hand, if you were close to the millennial generation, the film might generate enough tension to put you on the edge of your seat.

The film did show very interesting depictions of two persons who became well known to the American public as the central events unfolded. There is the captured Russian spy, Rudolf Abel (Mark Rylance) who was very devoted to his cause and not really a bad person although clearly hated by most Americans. On the other hand, Francis Gary Powers (Austin Stowell) the American pilot on the secret spy mission taking pictures over Russia is shown as an all American-type handsome guy who is the center of attention because he didn’t do the expected, deadly self-destruct thing with the poison pin, before he was captured.

The main protagonist was James Donovan (Tom Hanks). It’s hard to say if we like him so much because he was Tom Hanks or was it because he was this idealistic attorney standing up for American principle’s of giving everyone a fair trial, even if his client were a despicable man of the times being a Russian spy.

Spielberg appeared to put his $40 million budget to good use as the scenes were all quite realistic. Especially dramatic was the building of the Berlin wall and the views of some attempted escapes from East Berlin and of course there was the bridge where the exchange was to take place. The shoot down of Powers’ plane seemed quite realistic (we hope no one was hurt in the escape from the plane – it seemed that good). There was a little too much repetition in this two-hour and fifteen-minute movie with much more talking than action. For those who didn’t live through this period, this film may very well become the mental representation of this period although we didn’t think it quite captured the fear and apprehension that existed in the country at that time. (2015)

***      

Pawn Sacrifice -rm

This is the story of Bobby Fischer, the American boy wonder chessmaster, who at the age of 29 in 1972 beat Russian champion chess player Boris Spassky to become the best chess player in the world. We meet young Fischer as a preteen growing up in Brooklyn where his preoccupation with chess makes him a very unusual brilliant young man. It would appear that his limited social skills matched with his total preoccupation with chess and a genius mind that could visualize and memorize numerous chess games in his head, suggests that he had Asperger’s disorder. As we follow this brilliant genius into preparation and ultimately arriving at the classic series of matches in Iceland, we see how he became preoccupied with the belief that he was being spied upon. He took apart a telephone looking for listening devices and even insisted that the venue for the match be moved to a basement setting instead of the large stage where it was to be held. He limited the number of TV cameras demanded a certain distance from him. The film does suggest that this classic famed match had great significance to both the United States and Russian governments. We even see that the CIA may have been involved in meeting Fischer’s demands for money and other requirements in order for him to participate in the match. However the film also points to the probability that Fischer’s mental functioning was much more than the political paranoia of the time. In fact, we think that a case can be made that Bobby Fischer had a schizophrenic mental disorder.

This well done film is a recounting of one of the most important and widely followed chess matches in history. It is also a sad story of a tortured soul. Tobey Maguire who plays Fischer as an adult did a fine job although it was a one dimensional view of this man as we never saw any evidence of him having any joy or meaningful relationships which we would expect even with a severe mental disorder. Liev Schreiber was quite good as the large contemplative Russian master Boris Spassky who barely said a word in the film.

Even though most of the movie audience probably knew the results of the match, seeing how it developed and went down was filled with suspense and drama. The subsequent downhill slide of Fischer which was not shown in the film and only told to us in a post-script at the end of the film, with a few newsreel clips, might have taken the movie to a more dramatic and interesting conclusion had the writers Steven Knight, Stephen Rivele and director Edward Zwick chosen to extend the film to this subject. (2015)