***

Lion-sp

This is a beautiful story based on real life that will deeply move many people and it would not surprise us if it is an award contender. Therefore we don’t want to discourage potential viewers, but we thought it could have been done much better and shorter.

It is the story of a young Indian boy living in one of many poverty-stricken areas of India who joins his older brother on a late night adventure as they set out to try to make a few rupeess doing child labor tasks. He gets lost and separated from his brother ultimately falling asleep on a train ending up a couple of thousand miles away from his mother. The plight of Saroo is poignant enough by itself but the appeal of this young child played by a young Indian boy Sunny Pawar, who was chosen for the part over thousands of children, emotionally draws in the viewer.

Saroo is ultimately adopted by a loving Australian couple (Nicole Kidman and David Wenham) which is the equivalent of winning the lottery. Fast forward about 25 years into the future and this now young man (Dev Patel of Slumdog Millionaire fame) is having flashbacks of his childhood which are preventing him from moving forward with his life. The problem with the movie is that there was no fast forward but rather many long drawn-out scenes often showing countryside, trains winding through mountains, maps with pins in it and attempted reconstruction by the now young man as he tries to figure out where he left his mother and brother. There are endless views of Google Earth as Saroo now tries to reconcile his childhood memories and find the place where he came from. We meet a second child adopted by the Australian parents who we really don’t get to know very much about nor do we understand Saroo’s relationship with his girlfriend Lucy (Rooney Mara), who seems lovely but we get no insight into what makes them tick as a couple since Saroo is now preoccupied with finding his birth mother and of course doesn’t want to hurt his loving parents who raised him.

We have written about the search for biological parents among adopted children and variations of this meaningful psychological theme have been played out in many movies.(click here to read article) Perhaps we can identify with the story because we try to imagine how we might feel if we were in this situation. This movie based on a book by the real Saroo which was put into a screenplay by Luke Davies and directed by Garth Davis. At the conclusion of this 120-minute movie, as the titles were being shown, there was an actual brief film clip of the real Saroo introducing his adopted mother to his biological mother which to us was the most moving moment of the film. (2016)

***

Oranges and Sunshine–nf This film is a good example of how we might rate a film 3/5 and yet highly recommend it as one that should be seen by anyone who cares about social injustice. There are many better examples of dramatic films with unforgettable performances by talented actors and directors, which will win Academy Award nominations. But this Australian film directed by Jim Loach with a screenplay by Rona Munro plods along but rivets our attention because it tells the true story of a historical event that we and we are sure many other people had no idea had occurred. It is about a British social worker by the name of Margaret Humphreys who in the 1980s stumbles upon the situation that in the 1940s and 50s the British government deported to Australia young children born to troubled poor mothers who couldn’t care for their kids. The mothers were often told that the children were being adopted in England by various couples although if they did make efforts they would not be able to track them down. The truth was that they lived in various orphanages in Australia in very dire circumstances, were treated very badly and many were abused. During this blight on British history there were 130,000 children who went through this pipeline to Australia. They never had a chance to find out who their mothers were and whether they were still alive. Margaret Humphreys (played by Emily Watson) at first took on the task of trying to help some of these now adults find their mothers. She then devoted herself to exposing this great injustice in addition to reuniting these adults with their mothers when possible. We see how she set up a program in Australia where most of these orphans lived and held some reunions with each other. We also see a scene in a monastery, which may have been the site of some of the stories of abuse. There was a scary episode where an intruder who seems to be warning her to cease her efforts, threatens Ms. Humphreys at night. It is a weakness of the film that we never learn more about the nature of these threats. Ms. Humphrey made efforts to publicize the story of these mass deportations in the media and to get the government to help in her endeavors. She spent an increasing amount of time in Australia, away from her own family. Some of the horrors that the children went through are related in excellent performances by Hugo Weaving and David Wenham. We learn during the credits at the end of the film that it was not until 2010 that the British government acknowledged its mistake and the Prime Minister apologized. It was at that point that we learned of the tremendous number of children that had gone through this disruption of their lives with all its repercussions. As a sidebar we are reminded of the large number of films that we have seen as well as some true life stories that we have heard, which  in some way recount the desire to reunite with one’s biological parents. Of course in the situations recounted in this film, these people did not have parents who adopted them. Some discussion of this topic can be found in MB’s blog http://www.psychiatrytalk.com/2014/04/the-search-for-a-persons-biological-identity/  (2011)