SPEER GOES TO HOLLYWOOD-sp
***

The title of this film suggests that somehow the story of this major nasty figure has been jazzed up or perhaps has been fabricated to make it a Hollywood production. However, the director and producer, Vanessa Lapa and Tomer Eliav, producer and sound designer whom we met after seeing the film at Stephen Farber’s “Reel Talk” film series, claim the story is factual and true to life. They report how they had meticulously have gone through the archives of film about World War II including recordings of the Nuremberg Trials in which Albert Speer was one of the defendants. Interestingly, they did not use the voice of Speer but rather they hired a voice actor to speak the words of the real-life players mostly German with subtitles. The rationale was that the audio quality of these old tapes was too poor to use.

We mostly follow Speer during World War II as a designer and builder of prison camps as well as confidante to Hitler and his inner circle. The prisoners (obviously mostly Jews) are seen and there was indication of forced labor and exhausted emaciated prisoners. The actual crematoriums were not shown in much detail as they deserved to be shown. The fact that we were seeing actual pictures of the inhuman treatment of the Jews makes the film riveting even if we don’t fully appreciate Speer’s role in carrying out Hitler’s extermination plan.

Speer was apparently the only major figure not to be sentenced to execution at the Nuremberg Trials, but rather served 20 years in prison. He even subsequently wrote a successful book once he was released. The film does not clearly address why he was spared execution. There was some mention how he provided some valuable information for the allies and not to the Russians.

It is also interesting that in response to a question to the film makers they stated that the initial funding for the film was provided by the Israeli Government. Any new insight into the Holocaust even years later is still riveting. Although the film did not go as deeply as it might have done and did leave many unanswered questions, it still is a major contribution, so we will “never forget.”

***

The Captain-sp

This film by veteran writer director, Robert Schwentke, which features a young German actor Max Hubacher, is a very powerful movie which shows the violence and cruelty of the German people during World War II through the depiction and actions of the German soldiers during the last two months of the war. However, it is somewhat unique in that the violence in this case is not directed towards the Jews or the allied enemy soldiers. Rather it is shown by the mass murder of German soldiers who may have been deserting at the end of the war and trying to survive by stealing food.

The story line is based on a true incident where a young German soldier isolated from his unit and being chased by other German soldiers as a deserter and a thief came upon the uniform of a German Captain and then took on the role of this officer. The story unfolds from there as this “Captain” becomes  cruel, sadistic and as murderous as anyone in the German army.

The film was shot in black and white, which according to the director, was to minimize the blood and gore of which there was plenty. The violence and murder shown in the film was strong enough to lead to a steady flow to the exit during this film from our preview audience. In the end, we are left with a very well done, all be it, uncomfortable movie which is quite provocative and no doubt will be unforgettable.

The film was in German with subtitles. (2018)

****

The People vs. Fritz Bauer-sp

The title of this movie is ironic since Fritz Bauer (Burghart Klaussner) was an Attorney General in the 1950s in postwar Germany whose job was to prosecute war criminals on behalf of the people of Germany. He gets wind of the fact that the most notorious war criminal, Adolf Eichmann, was hiding in Buenos Aires, Argentina. This film is the story of Bauer’s determination to bring Eichmann to justice despite the resistance of many of his countrymen who were government officials and many may have been Nazis or Nazi sympathizers.

If you have traveled to Germany in modern times you know that so many of contemporary Germans have owned up to their country’s role in attempting to destroy the Jewish people in the 1940s. During our trip to Berlin, we saw many memorials including a very moving Holocaust museum. Director and screenwriter, Lars Kraume and producer, Thomas Kufus are among the many contemporary German filmmakers who are continuing to explore this subject with their work.

This film not only told an important historical story, but also provided an in-depth look at the character and personality of the two main subjects of this film. There is great drama, tension, suspense  and  human interest.  The cast is made up of well-known German actors and the German film community has bestowed numerous nominations and several of its highest film awards to them. The movie is distributed in the United States by Cohen Media Group, who have a history of selecting many outstanding foreign films to be shown in the US. The release date in NY and LA is August 19th. We highly recommend that you see this movie. (2016)

*****

The Book Thief- sp– This is an extremely moving film which captures still another aspect of the inhumane, cruel and evil impact of Hitler and his Nazi followers on the German people. It does this through the eyes of a young girl Liesel Meminger (Sophie Nelisse) who is 12 years old when we meet her as she is separated from her family and comes to live with a German couple in a small town just before the start of World War II. Her new mother Rosa Huberman (Emily Watson) is tough and strict on the outside but we come to see her tenderness and love as the story develops. Her new father Hans (Geoffrey Rush in what could be an Oscar nomination performance) shows his tenderness, love, pain and identification with his new daughter in many complex ways. It is their love of words and books, which they share, which  brings them together and helps to convey the story that is being told. Whenever you have a child actress who is carrying the story and the emotion of a film, mainly with few words, the credit for this accomplishment has to be shared with the director, which in this case was Brian Percival.  Kudos also for the birth of this film deserves to be given to Fox 2000 a major studio led by Elizabeth Gabler which also brought Life of Pi to the screen. This movie, which is narrated by the voice of death, is a fast moving two hours and five minutes and there is nothing that we would suggest should be cut from it. Although we both very much enjoyed the world wide best selling book upon which it based, one of us (MB) had some reservations about the book and the motivations of the author (see http://www.bookrap.net/?s=Book+thief) We both agreed the screen play by Michael Petroni was true to the book by Markus Zusak and the few changes were inconsequential. The music score, which captures the mood, and emotion, which exists throughout the film, was done by veteran award winning composer John Williams. When you think about it, our understanding of important historical events such as the rise of Hitler, Nazism and the Holocaust often comes from the great films on these subjects, which become imprinted in our minds. The Book Thief will be one of the films, which will play this role with the moviegoers of today. (2013)