MOVIE REVIEW

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The Guernsey Literary and Potato Peel Pie Society (Netflix)

Guernsey is a small island, which is part of the Channel Islands off the coast of England. It was the only British territory that the Germans invaded and occupied during World War II.

This movie is directed by Mike Newell and written by Don Roos and Tom Bezucha based on a novel by Mary Ann Shaffer and Annie Barrows. It stars Lily James, Michiel Huisman, Glen Powell, Jessica Findlay, Katherine Parkinson, Tom Courtenay, Matthew Goode, and Penelope Wilton.

The film takes place in post war World War II in 1946. Juliet who is an author receives a letter from a Guerney man who is interested in a book that she has written. They begin to correspond and she learns that there is a book discussion group on Guernsey called the “Guernsey Literary and Potato Peel Pie Society.” She decides that she would like to learn more about this group who write about it. Her boyfriend accompanies her to the dock, where she will take the ferry to Guernsey and he proposes to her at that time. She goes on her mission and surprisingly Juliet becomes involved in the “Society,” particularly interested in the fate of one of the founding members, Elizabeth, who left the island during the war. There is intrigue, romance, and an insight into the German occupation of the island during World War II.

While our own book discussion groups or even our film discussion groups do not have the danger and intrigue found in the story, it does give us a chance to experience a well done book and movie (2020).

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45 Years-sp

Early in this British film, the husband (Tom Courtenay) of this couple that is about to celebrate their 45th wedding anniversary in a few days, learned that the body of his previous girlfriend many years ago who died by falling into crevice of icy water during a mountain climbing trip, has just been discovered and was fully preserved. His now wife of nearly 45 years (Charlotte Rampling) then finds out that her husband recently secretly visited a travel agency to inquire about going to Switzerland where the discovery of his old girlfriend was made. She is already very hurt about this set of unusual circumstances. She appears to be questioning the many years of the seemingly happy but childless marriage (spoiler alert, the old girlfriend was apparently pregnant).

Andrew Haigh, the young (43-year-old) director/writer in a post-film discussion at our screening revealed his insight and seemingly his major point in writing the film was now that the wife knows this ancient story of her husband’s early love, she realizes that if certain events hadn’t happened, her whole life could have been different. “Duh” – isn’t that so true in everyone’s life? If MB hadn’t accepted the blind date with his 18-year-old now wife of many years (SB), his entire life – children, grandchildren and so many choices in life would not have happened. This movie seems to be built upon this premise. which of course is true for everyone’s life. What the movie demonstrates is under the surface anger and hurt feelings that Charlotte Rampling very well conveys with her facial expressions and demeanor.

Moviegoers today have a right to expect a richer and more complicated story then that which is presented in this film. Now, if the husband had murdered his wife all those years ago (which we both thought for a second might be the case before it became obvious that that wasn’t the situation) then we might have been drawn into the storyline.

Despite the nice photography and excellent acting, we were glad that the running time was only 95 minutes rather than a longer 2-hour film. Still, the film dragged and it felt as though there was “no there there.”(2015)

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The Quartet-nf The setting is a home for retired musicians in Great Britain which apparently does exist in some form there. Many of the retirees are well known opera singers as well as other types of musicians. Three of the main protagonists played by Billy Connolly, Tom Courtenay, and Pauline Collins are joined by the fourth (Maggie Smith) who makes a grand entrance befitting the diva that she must have been. It turns out that many years ago she had been married to one of the men (Courtenay’s character),for nine hours, but he has never gotten over their romance and being jilted. He thus is quite unhappy about her arrival. Life in the home seems meaningful to the residents who interact with each other, reminisce about times gone by and sometimes play their instruments and also do some singing. Director Dustin Hoffman in an extra clip on Netflix declares that this is a film about life and (older people) enjoying it and living to their fullest. There was no dialog in the film which indicated that any of these residents had meaningful relationships with their families (although some small children were seen visiting and even being given music lessons). It may be that many very successful professional musicians have traveled a great deal and never have time to develop such connections and that such a retirement home serves this very special purpose. It is also of note that aside from the 4 main stars many of the other musicians seen doing small bits of performing from opera to comedy were actual retired professional musicians. This was demonstrated also in the closing credits where they were identified with a picture of them in his or her prime. It becomes clear early on in the film that the issue, which must be resolved, is whether the four main characters will perform the Quartet from Rigaletto in a benefit show to keep the home open. It will not spoil this movie experience to learn in the end they do it and we hear what have to be recordings of the rich voices of the real opera stars in their prime. Dustin Hoffman’s goal is achieved as we have a feel good experience about the ability to find meaning and satisfaction late in life. (2012)