***

The Captain-sp

This film by veteran writer director, Robert Schwentke, which features a young German actor Max Hubacher, is a very powerful movie which shows the violence and cruelty of the German people during World War II through the depiction and actions of the German soldiers during the last two months of the war. However, it is somewhat unique in that the violence in this case is not directed towards the Jews or the allied enemy soldiers. Rather it is shown by the mass murder of German soldiers who may have been deserting at the end of the war and trying to survive by stealing food.

The story line is based on a true incident where a young German soldier isolated from his unit and being chased by other German soldiers as a deserter and a thief came upon the uniform of a German Captain and then took on the role of this officer. The story unfolds from there as this “Captain” becomes  cruel, sadistic and as murderous as anyone in the German army.

The film was shot in black and white, which according to the director, was to minimize the blood and gore of which there was plenty. The violence and murder shown in the film was strong enough to lead to a steady flow to the exit during this film from our preview audience. In the end, we are left with a very well done, all be it, uncomfortable movie which is quite provocative and no doubt will be unforgettable.

The film was in German with subtitles. (2018)

**

Legend – sp

Most Americans have probably never heard of the Kray Brothers, Reggie and Ron. They were legendary gangsters active in the 1940s who were well known in England as were gangsters, John Dillinger, Al Capone, Lucky Luciano, Bonnie and Clyde in the U.S. and immortalized by books and movies. After studying the Kray twin brothers and their criminal exploits, American writer/director, Brian Helgeland decided to undertake this film project. He brought to the table considerable experience among which included L.A. Confidential for which he won the Oscar for the best-adapted screen play and 42, The Story of Jackie Robinson on which he was also the writer/director.

Helgeland connected with British actor Tom Hardy and they decided that Hardy would play both identical twin brothers although their appearance, demeanor and personalities were quite different. Hardy had previously received a great deal of acclaim for his work on both sides of the pond. However this role had to be a challenge for the director and the actor, which would require the use of body doubles, skillful editing and all sorts of special techniques. The result was quite realistic. Both guys were tough as nails and each with a distinct personality. Ron was openly “homosexual” and it was clearly stated that he takes the active role not only at sex but in violence. He also is depicted as somewhat mentally unbalanced. Reggie, perhaps the better looking brother, but just as tough, also falls in love with Francis (Emily Browning). She is a slightly built but very attractive, sweet, not at all like a gangster moll but hopelessly wanting Reggie to go straight. It is her voice that narrates the film a la Sunset Boulevard. While we could develop empathy for her, the tragic heroine, we felt very little feelings for the gangster brothers.

So not caring about the main characters and not very good enough reasons to sit through a lot of violence, we had one more additional problem with the film. This British movie was made for the Brits and we could not understand at least third of the heavily accented British or Cockney speech. We knew what was going on but it was almost like we had to use our weak high school training in a foreign language to get the gist of much of the dialogue. So the only possible reason for us to recommend that you see this film if you don’t speak this language, would be to see the amazing accomplishment of Tom Hardy taking on these two infamous British criminals. However, our conclusion is that you should pass on it. (2015)