****

Trainwreck -rm

We were prepared not to like this film as we assumed it was geared for a much younger demographic than ourselves which may very well have been the case. However, we enjoyed it immensely.

The opening scene showed a father teaching his two young girls a mantra that “monogamy is not realistic” as he tells them about his pending divorce to their mother. One of the girls is Amy, played as a grown up young woman by Amy Schumer who also wrote the screenplay.

From the beginning we had the idea that Amy’s psychology was not founded on traditional family values. She had lots of boyfriends and sex seemed to be mainly an end into itself. It was also mixed with lots of drinking and smoking pot. Interestingly this was in contrast to her sister Kim (Brie Larson) who having heard the same message from her father was now married with an adorable stepson and a new pregnancy.

Amy works as a successful writer albeit with a magazine that seems to view life and sex in a manner similar to hers. With Judd Apatow (Bridesmaids) at the director’s helm we would expect Schumer’s comedic writing and her persona to provide lots of good laughs, which was certainly the case if we were to judge our own reactions and that of our theatre audience. However, the film developed much more than an extended Saturday Nite Live routine (which is where co-star Bill Hader achieved his renowned success). He plays Dr. Aaron Connors, a successful sports doctor, who Amy is assigned to interview for her magazine. The chemistry between them goes beyond the sex and they fall in love. Amy and the good doctor struggled with their differences and their attraction to each other. There are some very poignant and dramatic scenes, which Ms. Schumer carries off extremely well while staying within her character. We read somewhere that she is a classically trained actress and she certainly handled the tearful moments, angry outbursts and the comedy to perfection. The story uses satire especially in the sex scenes but also with the cameo appearances by Matthew Broderick, Marv Albert, Chris Evert, Daniel Radcliffe and some well-known professional basketball players.

We are left with a tour de force about the impact of childhood, falling in love, and growing up, which are all presented to us with a wonderful sense of humor.(2015)

****

Samba-sp (In French with English subtitles)

Among the political issues currently debated in the United States as well in other countries throughout the world is how to deal with illegal or undocumented immigrants. This is the main focus of this French film written and directed by Olivier Nakache and Eric Toledano starring Omar Sy. This trio got together to make Intouchable in 2011 which became the second biggest box office hit in French history. It also did very well in the United States

Omay Sy in the current film plays Samba, an immigrant from Senegal, who has been living in France for 10 years. He, like many other people who don’t have proper citizenship papers must live in the shadows and are susceptible to arrest and deportation. Samba is discovered and temporarily placed in a detention center where he meets Alice (Charlotte Gainsbourg), a young executive who was trying to stabilize her life by doing volunteer work in this facility. Samba is released with the expectation that he will go back to his home country. It is at this point in the film that we see him and other people in similar situations as they struggle to get illegal identification papers, procure jobs ranging from working in restaurants, hotel kitchens, cleaning windows in high-rise buildings or even just doing day labor. We get an insight into the painful life of trying to survive in this environment often while sending money home to their families.

Although they are coming from different places in life, Samba and Alice are drawn to each other and these wonderful actors create a very real chemistry between them. Even though we felt this 118-minute film could have been shortened and tied together a little better, the result is clearly a very interesting, enjoyable and thought provoking movie. We came away from it having empathy for the determination of a long line of undocumented immigrants who struggle for years to try to stay in their chosen country and become legitimate for themselves and ultimately for their children. Obviously, there are other points of view on this complicated political and social issue. However, if this movie reaches even half the audience that the last collaboration of this writer/director and star did, it will stand a chance of significantly influencing the great debate on immigration. (2015)

****

Mr. Holmes – sp

This is a story about an older Sherlock Holmes who has returned to a country house in England where he lives with his housekeeper and her son and raises bees. The story also shows that he has early signs of forgetfulness but still has a brilliant deductive mind. The film uses flashbacks to earliler situations in his life to develop the plot. Following our viewing of the movie, we participated in a discussion with other moviegoers and a well known film critic Stephen Farber, with a special guest, Mitch Cullin, the author of the novel upon which the screenplay was written. It struck us that we talked about Mr. Holmes as if he were a real person. People recalled early stories in his life which not only came from the extensive writings of Arthur Conan Doyle but from other books, movies, and TV programs, all about this fictional character.

There is a situation presented in one flashback to an earlier time when Mr. Holmes supposedly worked on a case confronting a woman who was lying to her husband not because of an affair with another man but because she was obsessed with playing a musical instrument feeling that it would bring her closer to her two babies who had died. This woman was clearly seriously depressed and suicidal. We see Mr. Holmes years later reflecting on this woman and perhaps even pining over what could have been had they developed a romantic relationship. The depression of the woman seemed irrelevant to him. Even the depressed feelings of Mr. Holmes, as he thinks about this past situation, seem artificial. From our limited acquaintance with the extensive writings about this famed fictional detective, it seems that he usually or even always was shown as the man with a brilliant mind where logic always prevails and most of the time human feelings seem to be left out or at least are hidden. There is more sensitivity to others as he figures out that a Japanese man in the story would be better off if Sherlock tells him a lie about what his father supposedly told him. Sherlock, seems to be a grown-up person perhaps with Asperger’s syndrome who can figure everything out, but not his own feelings.

If Sherlock defended against his feelings, the emotion certainly came out to the audience watching the movie. We are touched by the interaction that he has with a young boy and we were moved by seeing Sherlock beginning to have awareness of his failing memory.

The direction by Bill Condon based on the screenplay by Jeffrey Hatcher was outstanding. Ian McKellen’s performance as Sherlock deserves consideration for an Oscar. Laura Linney was excellent as Mrs. Monroe the housekeeper and child actor, Milo Parker, was an essential component to this movie and did a superb job. “It is elementary, my dear Watson,” that you should see this movie. (2015)

***

The End of the Tour – sp

David Foster Wallace was a highly acclaimed author who was cited by Time Magazine as one of the hundred best English language novelists. His life was cut short by depression and suicide at the age of 48 in 2008. Several years prior to this tragic event, David Lipsky, a writer for Rolling Stone Magazine and a novelist himself, of less acclaim, convinced his editor to let him accompany Wallace on the last five days of the book tour for his latest best selling novel, Infinite Jest, in order to write an article for the magazine.. Lipsky, in 2010, wrote a book about his encounter with Wallace on this tour, which subsequently inspired David Margulies to write a screenplay for this movie and bring onboard director James Ponsoldt.

The resultant film is a fascinating study of the chemistry and interaction between these two men as depicted by Jesse Eisenberg, as Lipsky, and Jason Segel, as David Foster Wallace. This famous author is shown to be a paradox of a confident, brilliant writer but yet as someone who consistently is concerned that he will not be found to be authentic. He desperately wants to be successful with women and yet has difficulty in establishing relationships and his best friends at this point appeared to be his two dogs. He cares that Lipsky will find him interesting and relevant. Yet, he was afraid that he, himself, would become addicted to fame and what people thought about him. Lipsky admired the literary giant that he was spending time with and yet we see an evolution of his understanding of the subject of his interview. The reporter began to identify with the struggle of the subject and was drawn to him perhaps as a comrade-in-arms. They become, for a while buddies hanging out, with two women connected with the tour (Mickey Summer and Mamie Gummer). There is also comic relief provided by another woman, their book tour escort, played very well by Joan Cusack.

Most of the movie is set in the snowy Midwest which is shown to be cold, crisp, and beautiful. The director, James Ponsoldt, has blended together this unique story and magnificent acting by Eisenberg and Segel plus a musical score background put together by Danny Elfman, which will cement your interest in what is happening on the screen.

It is interesting that we know very little about the psychological history of Wallace or the nature of his fatal depression. Many of the audience also may not be familiar with his writing. However, the connection between the two main characters sustains the movie and will hold your interest.(2015)

****

Love and Mercy – rm

This is a biopic about Brian Wilson, the leader of the Beach Boys. We did not know the story of how he went through a serious mental breakdown with psychotic symptoms for several years. During this period he apparently came under the influence of Dr. Eugene Landry, shown to be the evil doctor (wonderfully depicted by Paul Giamatti). Dr. Landry was said to be a psychologist in the film but was shown to be “over medicating” Wilson. What is very clear is the brilliance of Wilson. It is interesting to speculate whether or not some of his amazing creativity was related to his genius brain, which also may have been the source of his tendency to lose touch with reality. This is also a great love story (apparently true to life) between Brian Wilson and Melinda Ledbetter ( Elizabeth Banks). While it was not shown in the body of the film, she ultimately became his second wife and the mother of five of his children.

Great credit for this movie has to be given to Director Bill Pohlad. We also thought that Paul Dano was excellent as the younger Brian Wilson (he bulked up to add many pounds to his preexisting physical resemblance to the younger Wilson). We also felt that John Cusack was outstanding as the older, very troubled Brian Wilson. We can only repeat our phrase for Elizabeth Banks and Paul Giamiatti in their roles. But as expected the other star of the movie is the music. The soundtrack is constantly playing the old and the newer music created by Brian Wilson and the Beach Boys which includes the title song and it adds to the authenticity of the film.

We hope you see this movie and if you’re any kind of a Beach Boys fan, we also suggest that after you view it you read about the trivia connected to the making of this film by going to the following link: CLICK HERE   You will appreciate how the filmmakers worked so hard to present the story as true to life as possible

***

Jackie & Ryan -sp

There are apparently a number of American folk singers who travel throughout the United States especially in the West by train hopping. They meet up in various cities, frequently earning their living by street singing for donations. On occasion, they play at local festivals or in clubs and some may even get a recording contract, but they are in it for the love of the music. Ami Canaan Mann, the screenwriter-director and one of the producers met one such person, Nick Hans, who became the inspiration for this movie. He also became the consultant for the music on this film.

Ben Barnes, who is a British actor (with a perfect American accent), known for this portrayal of Caspian X in the Chronicles of Narnia personifies Ryan, a train hopping musician. It is mainly through the eyes of this very likable character, who we learn, has been traveling throughout the West and living through his love of music. He gives us insight into this way of life that is alien to so many of us.

Costarring with him is Katherine Heigl, an accomplished and experienced actress, best known recently for her starring roles in The Ugly Truth, 27 Dresses and Knocked Up as well as her work in the TV drama Grey’s Anatomy. Miss Heigl plays Jackie, a former country music recording star, who has now retired to a small town to raise her daughter Lia (Emily Alyn Lind). Unfortunately, Miss Heigl’s character, Jackie, is not as well developed as that of Ryan and we don’t quite understand what makes her tick. There is obviously chemistry between Jackie and Ryan.

But the real emotion in this picture is the music. It is contagious and draws you to the singers and their love of it. The movie goer gets a wonderful musical experience through the three main characters (which include the daughter) as well as enjoying the other real train hopping musicians that are also in the film, especially a very talented violinist.

We always appreciate being exposed to part of American life that is rich, creative and enjoyable.

 

****

The Little Death

This is an extremely well-done film about a subject that is usually not addressed in today’s cinematic arts. The title is the English translation for Petite Mort which is French for orgasm. The director, screenwriter and one of the actors (known for his acting in House of Lies) is Josh Lawson. He has put together a brilliant story and production which looks at various sexual fetishes.

The subjects are mostly loving couples where one of the partners has a sexual proclivity previously unknown to his or her partner. Take for example Paul (Josh Lawson) and Maeve (Damon Herriman). They could not be more devoted to each other even though they never got around to     getting married. At the beginning of the film (spoiler alert of a very funny joke), Josh mishears Maeve after a recent sexual encounter, thinks that she is asking him to “rate” her. He complies with a very high score. Actually, she said she would like to be “raped” not “rated”. She goes on to try to deal with Josh’s consternation by explaining she has always had the fantasy to be raped by a man (who she would not know was actually Josh) but of course she would never want to have sex with anyone but Josh.

We allowed the spoiler to illustrate the subtle comedic elements that pervade this film as well as to introduce one of the sexual fetishes that is examined in this movie. The sophisticated among you may know that some variation of rape fantasies, perhaps being treated rough or even at the other extreme, are not uncommon.

So it goes, as we are introduced to other couples’ secret fetishes. One woman is very attracted to men who are very sad and cry, She is driven to try to bring about the state in her loving husband. You can find out the result of this as well as being introduced to the other couples and some of their secret fantasies as the film unfolds.

The film also brings up the not so unusual sexual situation for people who are deaf. We are introduced to this aspect of fetishes as a young deaf man Skypes a service which acts as an intermediary for deaf people who need to communicate with people of normal hearing. In this situation, the deaf young man attempts to use this service (which actually does exist) in order to call another service that provides phone sex. The intermediary is a young woman who must “sign”(communicate with her hands) to the young man and verbally convey his sexual wishes to the normal hearing phone sex lady on the other line. We will leave it to your imagination to picture the result of this situation, but like the rest of the film, it is also poignant, insightful and opens up an important part of life to the movie audience.

This film deserves the awards that it has already won at various film festivals and if it can get good distribution, should achieve wide play and perhaps establish a new movie genre. (2015)

***

Inside Out

We were  tag alongs as our children took our nine and six-year-old grandchildren to see the 3D Pixar animated film released by Walt Disney Studios titled Inside Out. Things appeared to get off a good start as the coming attractions were shown of several different animated features most in 3D. They each had interesting appealing characters, music and special effects. They showed us all the highlights and the audience was obviously delighted.

Things then settled in for the feature film. One of us used to make up a story that he told our kids when they were very young how inside of us there were numerous teeny people who looked exactly like each of us and they would run all our bodily systems. Some run our digestive system, others run our hearing and seeing senses, or heart system. There was a central control headquarters that controlled our locomotion and there was a brain central where our thinking was run. We had lots of fun with these stories. Well, more or less this is the premise of this movie. The main character is a little girl who moves with her family from Minnesota, where they had a large house and played hockey in the winter, to San Francisco where she has to go to a new school and make new friends. We see the inside workings of this little girl’s mind through various “people” who control her emotions. In this case they don’t look exactly like her but they are representations of her in a joyful state, depression, anger, fear, disgust, etc. Each of these characters is very interesting, likeable, and a really great cartoon. The inner workings of her brain are depicted including long-term memories whether they be happy or sad.  The animated graphics filled the screen as we saw memories in the form of thousands of balls rolling down various chutes. There is a dream department that creates dreams which is all very creative.

While the on-screen images and voices might hold the attention of the children some of the time, we doubt that anyone under 12 would follow the actual plot and all its nuances. It is also hard for us to believe how anyone over 20 would care about 102 minutes of this story which actually seemed much longer to us. However, in this case it seems that we are clearly in the minority here as this movie is receiving outstanding reviews and appears to be one of the top rated Pixar films that has come out in a long time. (2015)

****

Me, Earl and the Dying Girl – rm

High school senior, Greg (Thomas Mann), is asked by his mom (Connie Britton) to be friendly with a girl, who is a classmate, and has just been diagnosed with leukemia. There are probably many ways that this opening gambit might be handled. The success of this film, directed by Alfonso Gomez-Rejon, with a screenplay and novel by Jesse Andrews which won the Grand Jury Prize and the Audience Award at the 2015 Sundance Film Festival, is how the personality of this young man is developed for the audience. He is presented as a guy who didn’t get very involved with other students and their complicated relationships. He hangs mostly with his buddy, Earl (R.J. Cyler), and they made parodies of movies based on the titles of well-known films, which they don’t show to anyone. Despite some very interesting reassurances by the plot, the audience is drawn along into this heart-wrenching plot. This tender story provides a window into the minds of these teenagers, which include the girl with leukemia, Rachel (Olivia Cooke). This is a very thoughtful screenplay which not only touches the audiences’ emotions but through these young people it teaches us about life and death. The musical score by Brian Eno and Nico Muhly plays a very important role in achieving the effect of this excellent film. (2015)

***

Jimmy’s Hall – sp

This is a touching film made by veteran director, Ken Loach who is mostly known for his acclaimed work in Europe, with a screenplay by Paul Laverty. It deals with an important part of Irish history with which most Americans are not very familar. It is based on a real character, Jimmy Gralton (Barry Ward) who was an idealistic Irish leader whose main claim to fame, was running Jimmy’s Hall in an obscure Irish  town, first in the 1920s and then 10 years later, in the 1930s. In this hall, (which was really a home or a cabin) men, women and children would gather to sing the popular music of the time and likewise do the popular dances, children would also sing and dance and learn history and some of the older boys would learn how to box. There would be lively discussions and a good time would be had by all. So what is wrong with this? Where is the conflict and where is the story? While we are not intimately familiar with Irish history and the film does not spell everything out to be crystal clear, we do know there was great turmoil in Ireland during this time period. In particular, the Catholic Church vividly depicted by Father Sheridan (Jim Norton) did not like the idea that people would dance and sing or even learn outside the auspices of the church. There was also a great economic and social upheaval notably between Ireland and Great Britain during this time as well as class warfare between the prosperous landowners and the workers. There was great dislike by many for socialism and of course for communism when that became an important issue. Jimmy was an idealist who spoke his mind which led to him being deported from Ireland without a trial or even any hearing. There is a sad love element as when Jimmy first returned, he is reunited with his old girlfriend, Oonagh (Simone Kirby) who is now happily married with children but still shares her simmering love for her old boyfriend. That is really the theme of the movie – so many unhappy people who are dealing with political and social issues which were much bigger than all of them. This is a well-done film but it never really breaks out. (2015)