***

Room-nf

You probably have some idea of the plot of this movie as we did when we decided to view it one evening. A young woman is abducted and held hostage in an 11-foot by 11-foot room with only a skylight facing the real world. Her abductor has the code to the steel locked door. He visits her regularly in order to rape her. After about a year, she becomes pregnant and raises her son, Jack, in this confined space. We meet them when Jack is turning five years old. His television set is his only window on the outside but he doesn’t actually believe what he sees on it is “real”. This raises an interesting thought; do we all really know what is out there in the wide universe beyond our experience on our small planet Earth. For all we know, we have a very narrow perspective on “life”. We don’t think this was the overt theme of this film but it may have stimulated more than meets the eye.

More concretely, the movie takes us through the dramatic freeing of mother and child from their prison. We struggle with Jack and his mother as they attempt to reintegrate from this experience. In this regard, We found it incongruous that a mother who is so close to her child due to these circumstances could contemplate abandoning him. So, the story is one that tries to show the “power of guilt”.

The other power of this movie is the Academy Award-winning experience of Brie Larson as the mother and the amazing performance of the very young man, Jacob Tremblay who plays the child.

Thanks to the direction of Lenny Abrahamson and the novel and screenplay by Emma Donoghue, we are treated to a highly unusual story. Despite the great acting and the unusual plot, we felt that the film was lacking in drama and could have used more depth. We are only given a glimpse on the impact on the young woman’s parents played by Joan Allen and William H. Macy who lost their daughter for seven years ago when she was 17 years old. Overall, this movie could have been done better but it will be memorable to all who see it. (2015).

****

Cake – nf

For many years MB was a psychiatric consult to a Burn Center and worked with many patients who had to deal with severe pain. Most of the time, we found a way of controlling the pain through medication, relaxation techniques, hypnosis, guided imagery, and various forms of psychotherapy. However, it was after the patient left the hospital that they had their biggest trial. They were faced with disfiguring injuries, chronic pain, and most of all PTSD with continued grieving around the circumstances of their tragic injury.

We live and breathe this journey through the persona of Claire who is masterfully played by Jennifer Aniston. We initially meet her in a support group for people with chronic pain. We soon learned that her pain is much more than physical hurting. It goes also beyond the physical dependency that her body has for pain killers.

The screenplay by Patrick Tobin slowly unfolds as we gradually learn about a member of Claire’s support group who committed suicide (Anna Kendrick) but lives on in Claire’s mind. We see Claire slowly and painfully expand her limited circle of relationships. The one constant person in her life is Silvana, her loya; housekeeper (Adriana Barraza).

This is not the kind of role you can just step into. It required much more than this actress allowing her face to be made up as being scarred. Jenifer Aniston had to come to inhabit the heart and soul of her character. She did just that through her own efforts and with the help of the film director Daniel Barnz. She also had an excellent supporting cast which included Sam Worthington, Mamie Gummer, Felicity Huffman, William Macy, Chris Messina, and several others.

We suspect this movie will live on, not only as an excellent piece of cinema but it will be used for discussion in support groups as real people will relate to the character that Ms. Aniston and the film makers have created. (2014)

****

Sessions rm

A movie with this subject matter has to be done extremely well or it will be a big flop. It seems to us there would be no middle ground and screen writer and director  Ben Lewin amply  succeeded. It is based a true story of Mark O’Brien a young man who had spent most of his life in an “iron lung” since he had polio as a youth (played by John Hawkes). He has full sensations but his  muscles are very weak and he can’t move his arms or legs.He can only breath on his own for a couple of hours before he is exhausted and needs to be in his metal breathing apparatus. He lives his life flat on his back but yet he managed to graduate from UC Berkeley with the help of caretakers. He is a poet and a freelance writer. One day he is asked to do a story about sex therapists who help disabled people. He ends up contemplating going to a sex therapist himself in order to lose his virginity. He begins a series of discussions on this dilemma with a new local Priest (William Macy) who becomes his sounding board, friend and supporter in his new endeavor. The story soon becomes about the relationship with his sexual surrogate (Helen Hunt) who is a married middle aged woman with a teenage son. Hunt is natural and comfortable in this R rated magnificent performance. Through the interaction and relationship of this man and woman we see how emotional attachments can be formed. For the young man it is a desire and fulfillment of his sexual yearning which gets turned into romantic feelings, poetry and all. For the woman,  she was prepared to give herself sexually but she felt more than she expected. For the audience, it is a gratifying, touching experience where most of us are educated about sex among the disabled as well as being given a chance to reflect on the true nature of  romance and sex. ( 2012 )

* * * *
Ghosts of Mississippi – nf – Michael stumbled on this movie on HBO which is available on Netflix. Initially I thought it was another Law & Order or Cold Case TV program. I may have seen before but am very glad I came across it. This 1996 stunning movie directed by Rob Reiner is the story of the persistence of a Jackson Mississippi Assistant District Attorney, played by Alec Baldwin, to retry white supremacist Bryon De La Beckwith played by James Woods who received an Oscar nomination for his portrayal of this despicable man who assassinated civil rights activist Medgar Evers in 1963. Whoopie Goldberg plays Myrlie Evers the widow who never gave up her quest to see justice served for this crime and actually was a consultant for this film. The cast also included James Nelson, William Macy and Virginia Madsen. The film was made two years after the front-page courtroom drama, which rectified the failure of two previous trials 30 years previously. It is a reminder of the racism, which existed in the south, at that time and how there are persistent remnants of it. But it also showed how there was change in an evolving south and in our justice system. The American Film Institute in 2008 chose the courtroom scene to be included in its all time list of best courtroom movie scenes. The entire film should be mandatory viewing for new law graduates and probably even for all high school students. The movie certainly touched my emotions. (1996)